Time to Return to the Theater!

This past Saturday evening, November 6, Delfos Contemporary Dance Company put on an outstanding show at 7:30 pm in the Angela Peralta Theater. The performance, directed by Víctor Manuel Ruíz Becerra, was dedicated to co-founder Claudia Lavista’s recently departed father, and what a tribute it was! Entitled “Painting that Moves,” the dances reflected the lives and work of Salvador Dalí, Leonardo Da Vinci, Frida Kahlo, Toulouse Lautrec, Edvard Munch, Jackson Pollock, William Turner, Vincent Van Gogh, Remedios Varo, and Diego Velázquez. Click on any photo to enlarge it or view a slideshow.

Heavy on the Spanish, particularly Catalán painters, what fascinated me was that this performance was not so obvious. The choreography and scenography did not directly replicate the painters’ work, but most definitely evoked the spirit of the painters’ lives and work. The transitions between pieces were also masterful, weaving together elements of each seamlessly.

Throughout the evening audience members wondered why the stage was wrapped in white paper, much like a gift to the audience. That became clear during the last choreography, when the colorful paint splatters of Jackson Pollack fell from hanging cans all over the performers, to culminate in an exhuberant communal climax.

Nine dancers played multiple roles with quick costume and energy changes: Johnny Millán, Surasí Lavalle, Karla Núñez, Xitlali Piña, Daniel Marín, Diego Alcalá, Jonathan Alavés, Luisa Escobosa, and Rodrigo Agraz, as part of the 2021 Mazatlán Cultural Festival.

This was the first event in the theater I have attended in quite some time, due to the pandemic/endemic. I want to let you all know that I felt very comfortable during the evening. Cultura issued many reminders for those attending to keep on their masks, there was an empty seat between groups, and people were staggered between rows. The main level was fairly full, given the seating restrictions, and I would guess the first balcony was perhaps one-third full based on current capacity. Now that we are vaccinated, it would seem to me to be worth it to get out and about, safely, again. 

You will have another terrific chance next Saturday November 13th when our local ballet company celebrates its tenth anniversary! Can you believe it’s already been ten years? What a gift to Mazatlán these two companies are, the ballet and the contemporary dance. Be sure to get your tickets as no doubt the theater will fill.

National Ballet Director Invites You

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I’ve told you about this season’s “not-to-be-missed” ballet gala with lead dancers from Mexico’s best dance companies: the National Bellas Artes as well as the Ballet de Monterrey. They will be joined on stage by top students from two of Mexico’s leading ballet schools—in Veracruz and Monterrey—as well as from a local mazatlecan ballet academy.

The International Ballet Gala will take place on Sunday November 17th at 6:00 pm in the Angela Peralta Theater. It is a fundraiser for DIF Mazatlán, which helps families in need. Tickets are available at the Angela Peralta box office or by sending a WhatsApp to Carolina at +52-1-669-941-2550 and paying via PayPal. There is only one performance, so be sure to secure your good seats now.

On Monday I had the distinct pleasure and privilege to host the Director of the National Dance Company, Maestro Cuahutémoc Nájera, in our home. He and his wife make their home here in Mazatlán, and have high hopes for our local cultural and dance scene. He tells me how much he loves the Angela Peralta Theater, and how he performed there as a young dancer, before it was completely remodeled.

I thoroughly enjoyed meeting the maestro. He is very easy to talk to, charming, and down to earth, counter to the stereotype of so many talented artists. Below is the promo video for the event. Get your tickets now, as I’m confident this event will sell out.

https://videopress.com/v/oOTfpQdj

Omara y El Cigala

 

There are a few performers on my personal “bucket list,” and TWO of them performed TOGETHER last night in Mazatlán! Half the city turned out to listen, and not one seat remained empty in the entire Angela Peralta Theater. In fact, most members of the press were allowed only 40 minutes to photograph the event, after which they left as they had no where to sit. The show went on for a full two hours and the performers had the house on their feet, singing and dancing. It was one large karaoke and dance fest.

Diego Ramón Jiménez Salazar, known to the world as “El Cigala,” has that deep,  echoing, passionate flamenco voice that half the world, myself included, are so fond of. He’s perhaps best known for “Lágrimas Negras” with Bebo Valdés. El Cigala is Spanish Romani, “gypsy,” born in El Rastro in Madrid. It would seem Mazatlecas are fond of that bloodline, as there were quite a few proposals and propositions shouted his way during last night’s performance. It was a joy to witness the freedom with which younger and older women alike showered their compliments on Diego while sitting right next to their loving husbands. I heard more than one woman say to another, “he is a widower, you know.” Click any photo to enlarge it or view a slideshow.

Omara Portuondo Peláez, in contrast, is Cubana, known for her clear renditions of boleros, jazz and son cubano, singer for the Buena Vista Social Club. She started as a dancer with the Cabaret Tropicana in 1950. At 87 years old Omara is nearly forty years Diego’s senior, but she is full of mischief and sparkle and made sure we knew she could still touch her toes and the floor, and swing her hips to the rhythm.

The two sang two different sets alone, and two different sets of duets; it was so much fun! We were serenaded with “Te quiero, te quiero,” “Amar y vivir,” “Lo que me queda por vivir,” “Si te contara,” “Lágrimas negras,” “Compromiso,” “Obsesión,” “Vete de mí,” “Silencio,” “Noche cubana,” “La última noche,” and “Dos gardenias para ti.” After a lengthy request for an encore, the two came out for one final song, “Bésame mucho,” like you have never, ever heard it sung before.

They were accompanied by a pair of excellent pianists (Jaime Calabuch playing for Cigala, though I preferred Omara’s pianist) , a bassist, drummer and percussionist. Sorry, but no where could I find the names of the musicians. It was truly a night to remember, and no doubt the highlight of the Festival Cultural Mazatlán 2017!

The Opera Made Me Cry!

DSC_2241I love a good opera. Just as I love a good narrative ballet. And I’ve been blessed to have seen both in some of the world’s oldest and most revered opera houses: Teatro Colón in Buenos Aires, the Hungarian State Opera House in Budapest, alla Scala in Milan, among many others. And while our Angela Peralta Theater is smaller, it’s every bit as gorgeous, though I may be biased.

Anyway, this season we are blessed with not just one, not just two, but FOUR fully acted operas! And woe is me, I am going to miss the last two. But I was in the audience for Puccini’s Suor Angelica last night, and oh my God did they do an excellent job! My friend and I both had tears streaming down our faces.

The singing was absolutely magnificent, and the acting outstanding. We are blessed with Maestro Enrique Patrón living here. The orchestra was amazing as well. Costumes and sets were very creatively done. Major kudos to everyone involved! Click on any photo to enlarge it or view a slideshow.

The lead, Angelica—my namesake, Dhyana Arom, has a pure clear voice and terrific acting skills. She was perfectly counterbalanced by her evil aunt, the princess, sung by María Luisa Tamez—who sang and played the role marvelously. We loved hating her. How could she be so cruel, and then turn to the Virgin and make the sign of the cross! What hypocrisy, right?! She made it oh-so-fun to hate on her; stellar job!

Because Suor Angelica is a one-act opera, Maestro Patrón and company did twenty or thirty minutes of songs from other Puccini operas, including Madame Butterfly, Gianni Schicchi, Tosca, Manon and Edgar. What a treat! There was an intermission after this gala and the full opera.

Thank you to all the performers, stage designers, costumers, organizers. I know I say it a lot, but we truly are blessed with our CULTURA Mazatlán folks! The theater was far from full, which baffles me to no end. Why in the world would people miss such an excellent performance? Life should not be too busy to enjoy it a bit. Says me who’s snowed under with work; I think my head exploded at least three times this week, lol.

Don’t forget that now, with your ticket from the event, you can get a 10% discount the night of the show at most restaurants in the Machado as well as a few others. So, don’t make the mistake of going straight home after the show.

Behind the Chamber: Opera La Serva Padrona

Do you love good opera as much as I do? Premiering for the Empress of Hapsburg’s birthday in 1733, the opera buffa (comedic opera) “La Serva Padrona” (“The Servant Turned Mistress”) by Pergolesi will be the fourth offering in this year’s Camerata Gordon Campbell.

Originally written as an intermezzo, the theme of “La Serva Padrona” is timeless and something most anyone can relate to. A young woman, working as a maid for a wealthy elderly bachelor, has designs on marrying him and inheriting his estate. She works in cahoots with Vespone, a mute fellow servant, to make her goal a reality.

Greg and I recently interviewed the Director of the Sinfónica Sinaloa de las Artes, Maestro Gordon Campbell, and his wife, Guianeya Román, in our home. Below is their Behind-the-Chamber peek into La Serva Padrona:

The concert will take place at the Angela Peralta Theater this Sunday, February 1st, at noon. Karla Muñoz, soprano, will sing the role of Serpina, the maid. Carlos Serrano, baritone, will sing as Uberto, the master of the house. Actor Larik Huerta will play the mute servant, Vespone. The stage director for this performance is Rodolfo Arriaga.

Tickets for La Serva Padrona are only 200 pesos each, and can be purchased at the TAP box office or online.