National Ballet Director Invites You

e24dfee9-f341-4e28-906b-f69f60a31810

I’ve told you about this season’s “not-to-be-missed” ballet gala with lead dancers from Mexico’s best dance companies: the National Bellas Artes as well as the Ballet de Monterrey. They will be joined on stage by top students from two of Mexico’s leading ballet schools—in Veracruz and Monterrey—as well as from a local mazatlecan ballet academy.

The International Ballet Gala will take place on Sunday November 17th at 6:00 pm in the Angela Peralta Theater. It is a fundraiser for DIF Mazatlán, which helps families in need. Tickets are available at the Angela Peralta box office or by sending a WhatsApp to Carolina at +52-1-669-941-2550 and paying via PayPal. There is only one performance, so be sure to secure your good seats now.

On Monday I had the distinct pleasure and privilege to host the Director of the National Dance Company, Maestro Cuahutémoc Nájera, in our home. He and his wife make their home here in Mazatlán, and have high hopes for our local cultural and dance scene. He tells me how much he loves the Angela Peralta Theater, and how he performed there as a young dancer, before it was completely remodeled.

I thoroughly enjoyed meeting the maestro. He is very easy to talk to, charming, and down to earth, counter to the stereotype of so many talented artists. Below is the promo video for the event. Get your tickets now, as I’m confident this event will sell out.

Humble Beginnings Don’t Hold Him Back!

74602865_424079794971033_601125907670761472_o

+ The Masculine Form (project in development)
Photos: @santiago_barreiro @insidenatgeo #insidenatgeo

Most every society worldwide seems to be suffering a breakdown in the social fabric these days, a rise in corruption and violence, a loss of the values that make individuals and our communities healthy.

Maestro Cuahutémoc Nájera—the director of Mexico’s National Ballet Company—and his wife, Maestra Carolina Rios, strongly believe in the power of dance to strengthen communities and build strong, healthy, disciplined and principled individuals. Luckily for us, they live here and see dance as a tool to secure a better future for Mazatlán and México. Click on any photo to enlarge it or view a slideshow.

The maestros shared with me a post by es+Cultura that I found to be extremely powerful, and I have translated it for you below:

“Seven years ago the priest told Aaron’s grandma, Magda, ‘get him out of that ballet; the kids there become gay.” To avoid conflict she agreed, though she never followed through, because her grandson’s dream was to be a dancer and she was going to support him.

Aaron de Jesús Márques is one of the talents discovered by a program (PROVER) that seeks to promote dance in the city of Córdoba, in the state of Veracruz, giving scholarships to boys from complex social contexts. If the boy has needs and the desire, they pay for his studies, transportation, equipment and food for eight years, eight hours a day. The low enrollment of men in the private academy of Martha Sahagún was the impulse for this project, which now has various generations promoting the talent and diversity of Veracruz.

When he was barely seven years old Aaron didn’t even know what ballet was, in fact, the term didn’t sound familiar, but when the opportunity presented itself he didn’t hesitate even a minute to run up to the teacher who conducted the auditions to show her his physical conditioning. Months later when he’d begun his training, he understood that what his body was really asking him for was to dance ballet, and now no one would get in his way.

Aaron lives with his grandmother, or better said, his mother, as that’s what he likes to call her. She raised him once his Dad died and his biological mother emigrated for a better life economically. Magda supported the family. She was responsible for feeding, taking care of and giving life to the dreams of her grandson. The career of a classical ballet dancer involves a lot of dedication and discipline; it is a family project and in most cases requires the moral support of a feminine head of the household.

Classical dance gave the boy a stylizing manner to move his body, it proposed a language in which it wasn’t necessary to use impact and force like so many other disciplines. Aaron dances to express himself without words, to liberate himself from the structure that questions, violates and judges masculine feelings.

The exercise of classical western dance has implicated from its beginnings situations of violation and exclusion, it has generated negative stereotypes against men who pursue this discipline as a way of life. The hegemonic precepts around what it means to “be a man” in Latin American culture tend to determine how ballet is seen as art. In this 21st century, respect for the male dancer still hasn’t penetrated deeply into society, where machismo and its prejudices only put pride in “manly” sports . With this line of reasoning, dance is habitually associated with femininity. In this sense, there are unequal conditions for dancers, with men playing subordinate roles. This conception brings with it endless social conflicts. Today’s man tries to feel, express and free himself from established obligations (to procreate, provide, protect). However, society insists on assigning gender roles when and where they should not be. Dance in and of itself should not divide, distinguish or bias.

Aaron and some of his colleagues, plus his teacher, will be here in Mazatlán on Sunday, 17th November, performing in the Angela Peralta Theater at 6:00 pm, along with principal dancers from Mexico’s two best ballet companies: Ballet de Monterrey and the National Bellas Artes. Get your tickets at the box office now or WhatsApp Carolina at 52-1-669-941-2550; the performance benefits DIF Mazatlán (local families in need).

In the video below, Maestro Nájera tells us a bit about Aaron’s terrific program in Cordoba, Veracruz, where for the past ten years street kids have been given a new lease on life and a future in professional dance through educational and dance scholarships with amazing results.

Carolina dedicates herself to teaching young students; she owns and runs a dance school up in the marina. In the video below, she talks to me about the ways she has witnessed dance helping her students to be stronger, healthier, with higher self esteem, more cooperative and disciplined, and her plans for programming in the public spaces of Mazatlán.

International Ballet Gala!

be1136e4-88a5-449e-b79f-9855d2179c3c

You do NOT want to miss this incredible benefit performance by the principal dancers of the best ballet companies in Mexico! Dancers will join us from the Ballet de Monterrey, the Compañía Nacional de Danza de Bellas Artes in Mexico City, the Escuela Superior de Música y Danza in Monterrey as well as from the renowned Fomento Artístico Cordobés. The gala will benefit DIF Mazatlán — families in need in our municipality and take place on Sunday, November 17 at 6:00 pm in the Angela Peralta Theater; the promotional video is below.

Now, let me tell you the story behind this terrific event; Mazatlán is so incredibly lucky. Carolina Rios, originally from Culiacán, has a ballet school here in the marina (Carolina Rios Ballet). A talented and experienced dancer in her own right, it turns out she is married to Cuahutémoc Nájera Ruiz, the National Dance Coordinator and former principal dancer of the Instituto Nacional de Bellas Artes! The couple frequently travels to Sinaloa, of course; they fell in love with Mazatlán and decided to raise their daughter here. Sounds a lot like our family!

DSC_5738©

Caro Rios

So, Carolina moved here three years ago to prepare the way for the family, but Cuahutémoc keeps getting promoted, and, well, hasn’t been able to fully make the move yet (he will be here on Monday for a press conference about the gala).

Despite her busy schedule with their five-year-old and her dance academy, Caro is very passionate about promoting cultural events in Sinaloa. So, she’s called on her friends, including Marta Sahagún Morales from Fomento Artístico Cordobés, and Diana Farias Ortegón, Director of the Escuela Superior de Música y Danza de Monterrey, both of whom said they’d love to bring their dancers to Mazatlán and support any cultural effort here that Carolina has planned. God bless good friends! She invites you to the event in the video below.

Dancers from other companies were also happy to join in. The gala will include four dancers from Bellas Artes (Ana Elisa Mena, Roberto Rodríguez, Valeria Mariaud and Argenis Montalvo) and two Cuban dancers from Ballet de Monterrey (Daniela Favelo and Jonhal Fernández). The performance will include international classics as well as some contemporary choreography.

The gala will include a musical interlude with an aria sung by Mazatlecan mezzosoprano Daniela Rico Coppel, and piano played by Lorenzo Sendra Galván Duque, an autistic child prodigy from Guadalajara. Click on any photo to enlarge it or view a slideshow. The complete and incredibly impressive program for the event is:

Introduction
Choreography by Carolina Rios • Music by Ludwig van Beethoven • Interpreted by Ana Elisa Mena and students of Carolina Rios Ballet

Bohemian Rhapsody
Choreography by Josué Rebollo • Music by Queen • Interpreted by Jorge Emilio Peña, Engel Pérez , Aron de Jesús, Jesús Martín Rivera, Braulio Fernández, Alec Reyes, Roberto Cobos, Armando Villa and David Pérez, students of Fomento Artístico Cordobés • Directed by Martha Sahagún

Don Quijote “Pas de deux from Act IV with Kitri and Basilio”
Choreography by Marius Petipa • Music by Ludwig Minkus • Interpreted by Valeria Mariaud and Argenis Montalvo

Planimetría del Movimiento
Choreography by Irina Marcano • Interpreted by Ana Elisa Mena and Roberto Rodríguez

La Esmeralda “Pas de deux of Diane and Actéon”
Choreography by Agripina Vaganova • Music by Riccardo Drigo and Cesare Pugni • Interpreted by Daniela Favelo and Jonhal Fernández

Musical Interlude
Daniela Rico Coppel / Mezzosprano • Lorenzo Sendra Galván Duque / Piano

Intermission (10 Minutos)

Swan Lake “Pas de deux of the White Swan”
Choreography by Marius Petipa and Lev Ivanov • Music by Piotr Ilich Tchaikovsky • Interpreted by Valeria Mariaud and Argenis Montalvo

Giselle “Adagio from Act II”
Choreography by Jean Coralli y Jules Perrot • Music by Adolphe Adam • Interpreted by Ana Elisa Mena and Roberto Rodríguez

La Bayadére “The Kingdom of the Shades”
Daniela Favelo and Jonhal Fernández • Music by Ludwig Minkus • Students of the Escuela Superior de Música y Danza de Monterrey

Get your tickets now at the Angela Peralta box office or by sending Caro a WhatsApp (+52-1-669-941-2550) and paying via PayPal. This looks to be the most exciting event to take place in Mazatlán in quite some time. Help me get the word out and let’s fill the Angela Peralta to capacity!

Tickets (really) Available Online!

IMGM_0806 (421)

Yes! It’s true! Really! This time it works! As of this past Monday we can buy tickets to CULTURA Mazatlán events in the Angela Peralta theater online!

Mazatlán is blessed with world-class cultural events—my beloved opera, classic and modern dance, theater, music—but until now domestic and international tourists have been frustrated by an inability to purchase tickets in advance of their travel to Mazatlán. Residents have also been frustrated. Those who live outside the Centro Histórico have for years been handicapped—we fight traffic and torn-up roads only to get to the theater to find the box office isn’t open. Good tickets get sold out before we can get any, or we have to impose on friends who live downtown to get them for us. Even those who live downtown can struggle.

Our prayers have fortunately been answered. Even though for years it’s been announced that people can buy online, the system never worked. Lic. Raul Rico and his staff wanted to farm out the work, but the municipality said they wanted to do it in-house. They never did. Finally, however, the IT people at the municipio have come through! So far, the online purchase does not work for events in Casa Hass and elsewhere, but I’m told that will come soon. Fingers crossed.

The process for purchasing tickets online is as follow:

  1. Begin at the calendar/cartelera: http://www.culturamazatlan.mx/calendario.php  Sadly this page is currently only in Spanish. Cultura has been looking for months for English-language assistance…
  2. Click on the event of interest to you, and you will see (in Spanish) the date, time and location at the top of the pop-up window. Below it will appear intended audience, ticket prices and a summary of the event. On the upper right you will see an aqua blue box that reads Comprar boletos (buy tickets).
  3. Once you click on Comprar boletos, on the next page you will need to select the time of the performance you wish, and then click Continuar sin registrarme, or “Continue without registering.” Alternatively you can enter your “Yo + Cultura” card information to track your purchase for goodies.
  4. Once you finish there, the system will take you to a map of the venue. As you mouse over the seats available the ticket prices appear. Click on the desired seats, and click on Confirmar tu compra or “Confirm your purchase.”
  5. You’ll be taken to a confirmation page where, if everything is ok, you’ll click Realiza tu pago or “Enter your payment.”
  6. The next page will ask you for your email (correo electrónico) and cell phone number. This is great, because you’ll get a confirmation email for your purchase, and they will send the tickets themselves to your cell phone!  So, be sure to enter the numbers correctly and double- and triple-check them. That way, you can print them out, or you can just have a virtual copy on your phone to show at the door and save a tree.
  7. On the final page you’ll enter your payment information:
    1. Cardholder name (Nombre del titular)
    2. Card number (Número de tarjeta). Supposedly any credit or debit card except American Express will work.
    3. Expiration date (month/year)—Vigencia (mes/año)
    4. Security code (Código de seguridad/CVV2)

I trust you are as excited about this news as I am. Kudos to the city, and to the folks at Cultura, for getting this done. It’s obviously the new administration who will get the advantage of all their hard work—what a wonderful parting gift—but the biggest winners should be all of us who enjoy our Cultura events!