Behind the Scenes of the 9th Temporada Campbell

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The 9th Temporada Gordon Campbell brings us loads of live music with first-rate global performers. Concerts are generally at noon on Sundays in Mazatlán’s gorgeously restored, historic Angela Peralta Theater.

As usual, Maestro Campbell and his wife, Guianeya Román, joined me to give the VidaMaz.com community a “behind the scenes” peak into each concert this season. You can enjoy their commentaries in the short videos below.

Bach’s Magnificat, Sunday January 12, 2020 at noon in the TAP
This next Sunday in the Angela Peralta Theater you can enjoy Bach’s “Magnificat” as sung by the Culiacán Community Chorus with a solo performed by the marvelous tenor from Mexico City, Leonardo Villeda. We are privileged to have Leonardo perform here. In addition to his voice talent, he is director of the well regarded Ad Hominem Chorus in the capital. He and Gordon are such good friends that his 150 person chorus sang at Gordon and Guia’s 50-person wedding! Hear this behind-the-scenes story in the video below.

The soprano will be Perla Orrantia, and second soprano Jessica Toledo, the nineteen year old who started singing with the chorus as a ten-year-old girl. We are so blessed in Mazatlán to watch terrifically talented singers of international caliber grow up before our eyes and in our ears! Susan Sanga will be the mezzo—first time as a soloist in Mexico. Baritone Alejandro Hernandez, soloist in the cathedral concert recently, will also sing.

Mozart and His Women, Sunday 19 January, 2020 at noon in the TAP
The letters between Mozart, his wife, daughter, sister and friends are harvested to create this highly innovative, heart-touching show that provides the story behind some of the best music he composed. Narrated by Angelica Aragón (daughter of local music and film legend Ferrusquilla) while the Camerata Campbell plays, and featuring soprano Perla Orrantia. Below Gordon and his wife, Guia, share the story.

American Quartet by Dvořák, Sunday 26 January, 2020 at noon in the TAP
Antonín Dvořák wrote this piece in 1893 while he was director of the National Conservatory of Music in New York—while spending the summer in, of all places, Spillville, Iowa. In Spillville, Dvořák found an active Czech immigrant community in which he was able to speak his native language and enjoy the feel of home. He finished the chamber piece in less than a month. According to music critic Betsy Schwarm, the composer set out to capture “the spirit of America music in its melodic flow and harmonic construction.” The Marketo String Quartet returns to Mazatlán to perform the four string movements.

Mozart’s Gran Partita, Sunday 2 February, 2020 at noon and 5 pm in Casa Haas
The Sinfonietta Philomúsica Juventus, a group of young people in Culiacán who have asked Maestro Campbell to direct a youth orchestra in addition to the adult Camerata Campbell. Many of them are children or students of the musicians in the camera. In this program 13 wind players will perform Mozart’s best wind music, Serenade No. 10.

Corky Siegel Sings the Blues, Sunday 9 February, 2020 at noon in the TAP
Mazatlán’s beloved, international acclaimed, Corky Siegel returns, playing harmonica and piano while he sings the blues! What a treat this will be! The maestro promises that Corky is living proof leprechauns exist.

3 Centuries of Chamber Music, Sunday 16 Feb, 2020 at noon and 5 pm in Casa Haas
The talented string musicians of the new Sinfonietta Philamúsica Juventus join us this time for the group’s second performance during this 9th Season Gordon Campbell. They will play more than three centuries of music, starting with Renaissance music through 20th century sounds. Gordon’s introduction of the concert below:

The post-Carnaval portion fo the season will include three performances in March, including the Maestro’s personal favorite: his first time ever performance with his son!

Father & Son: Gordon & Alexander Campbell, Sunday 1 Mar, 2020 at noon in the TAP
It was a huge pleasure to meet Gordon’s long-lost and very talented son, and to see the love and joy between these two men now that they are reconnected. I for one can not wait for this concert!

Please forgive the fuzziness of the video; perhaps my concussion is still playing with my brain. I do think the stories are very worth the listen.

The Romantic Music of America, Sunday March 8 at noon in the TAP
The Rondalla will return to their welcoming Mazatlecan crowd

Looking Out for Number 1, Sunday March 15 at noon in the TAP
For the final concert of the 2020 season we will enjoy the young piano prodigy, Hermann Valdez Fregoso, with both the adult Camerata Campbell and the youth orchestra, playing Beethovens Symphony No. 1 and Piano Concerto No. 1.

Buy your tickets at the Angela Peralta box office, either for individual performances or with terrific discounts on season tickets. The Camerata and the Youth Orchestra (this latter completely volunteer) are labors of love. Your donations to support the musical mission are gratefully accepted and are tax deductible.

Madame Butterfly Today for Students

DSC_60341500 primary and middle school children were treated to two operatic performances of Puccini’s Madama Butterfly today in the Angela Peralta Theater accompanied by our beloved Camerata Mazatlán. What a dream come true, right? Or a nightmare, depending on what kind of child you are. Click on any photo to enlarge it or view a slideshow.

I have long been a fan of the free performances, “Cultura in the Community,” and today’s event was no exception. It was a win for the children and for the performers, as the cast who were given the terrific opportunity to play these major roles are all from our Municipal School of the Arts:

  • María de Jesús Herrada sang the title role of Cho-cho, the spurned Japanese girl
  • Alejandro Yepes and Alejandro Pacheco took turns as Pinkerton, the spineless American who marries her for convenience
  • Rodolfo Ituarte and Mario Canela performed as Sharpless, the US American consul who is tasked with delivering the bad news that Pinkerton has married another
  • Daniela Cortés and Mariela Angulo rotated as the maid, Suzuki
  • Bonze, the Buddhist monk who curses Cho-cho, was wonderfully performed by José Lora and Miguel Valenzuela
  • Goro, the marriage broker, was, in true kabuki fashion, performed by Eduardo Tapia

The choice of opera for the crowd of students seemed appropriate, as it can be seen as a cautionary tale against teenage pregnancy. The students’ were audibly shocked when María de Jesús announced she was fifteen years old, and then again when she appeared with her child conceived with Pinkerton. The kids absolutely loved Bonze, Cho-cho’s evil uncle, the Buddhist monk. The role was superbly acted. Of course, in the end Pinkerton and his new wife Kate adopt the child, and Madama Butterfly commits seppuku with her father’s sword.

Marsol Quiñonez Castro, General Director of Cultura Mazatlán, reported that it is the first time in the past five years that there has been a full house for an opera performed for children, and that she was very pleased with the audience’s response. Some of the kids looked spellbound, fortunately, and others slept or talked through the performance, causing Maestro Enrique Patrón de Rueda to “shush” the crowd several times.

Roberto Rodríguez Lizárraga, director of DIF Mazatlán, said he was grateful for the opportunity to host students from junior highs Eti #5, Federal #2, Federal #5, Santa Teresa y Solidaridad, and the Valladolid primary school.

There will be one more performances for students tomorrow morning, Wednesday the 20th, followed by a second at noon for the elderly and disabled.

2019 Camerata Campbell Series

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The 2019 Temporada Campbell started off with a bang—a Big Bang. Entitled “The Big Bang Without the Theory,” the outstanding percussion concert did include a bit of theory after all. Click any photo to enlarge it or view a slideshow.

Quick! Do you know how many types of percussive instruments there are? Two main categories: membranophones and idiophones. And what differentiates the two?

The Camerata’s Percussion Ensemble has played for us before, and they always astound—especially because they are so young to be so incredibly talented!

Mazatlán, we are in luck, as this was the first concert of this Sunday at Noon series, which continues through the end of February. Do NOT miss getting your tickets and enjoying a Sunday afternoon of pleasurable music followed by a lunch al fresco in historic downtown. February 27th should be of particular interest to our readers. See you in the theater!

Omara y El Cigala

 

There are a few performers on my personal “bucket list,” and TWO of them performed TOGETHER last night in Mazatlán! Half the city turned out to listen, and not one seat remained empty in the entire Angela Peralta Theater. In fact, most members of the press were allowed only 40 minutes to photograph the event, after which they left as they had no where to sit. The show went on for a full two hours and the performers had the house on their feet, singing and dancing. It was one large karaoke and dance fest.

Diego Ramón Jiménez Salazar, known to the world as “El Cigala,” has that deep,  echoing, passionate flamenco voice that half the world, myself included, are so fond of. He’s perhaps best known for “Lágrimas Negras” with Bebo Valdés. El Cigala is Spanish Romani, “gypsy,” born in El Rastro in Madrid. It would seem Mazatlecas are fond of that bloodline, as there were quite a few proposals and propositions shouted his way during last night’s performance. It was a joy to witness the freedom with which younger and older women alike showered their compliments on Diego while sitting right next to their loving husbands. I heard more than one woman say to another, “he is a widower, you know.” Click any photo to enlarge it or view a slideshow.

Omara Portuondo Peláez, in contrast, is Cubana, known for her clear renditions of boleros, jazz and son cubano, singer for the Buena Vista Social Club. She started as a dancer with the Cabaret Tropicana in 1950. At 87 years old Omara is nearly forty years Diego’s senior, but she is full of mischief and sparkle and made sure we knew she could still touch her toes and the floor, and swing her hips to the rhythm.

The two sang two different sets alone, and two different sets of duets; it was so much fun! We were serenaded with “Te quiero, te quiero,” “Amar y vivir,” “Lo que me queda por vivir,” “Si te contara,” “Lágrimas negras,” “Compromiso,” “Obsesión,” “Vete de mí,” “Silencio,” “Noche cubana,” “La última noche,” and “Dos gardenias para ti.” After a lengthy request for an encore, the two came out for one final song, “Bésame mucho,” like you have never, ever heard it sung before.

They were accompanied by a pair of excellent pianists (Jaime Calabuch playing for Cigala, though I preferred Omara’s pianist) , a bassist, drummer and percussionist. Sorry, but no where could I find the names of the musicians. It was truly a night to remember, and no doubt the highlight of the Festival Cultural Mazatlán 2017!

Are We Blessed or What?

12650991_10208208775554212_2260076847104623997_nWhat an honor to go to the Temporada Gordon Campbell concert today with my friend Jessica, who is a total groupie of Maestro Cambell’s. She was beyond thrilled when I introduced them, she couldn’t believe she actually got to have a conversation with him, and then—the cherry on top of everything—she got to get a picture with the Maestro! It is such a complete pleasure when we are able to bring joy to our friends’ lives. Especially, perhaps, when it’s something simple, as we all know that the Maestro is very down-to-earth, approachable, and so very passionate and committed to his audience.

Last season we published a series called “Behind the Chamber,” in which we conducted interviews with the Maestro and his wife, Guianeya Román. I was so very happy to have Gordon tell me that Daniela Liebman, the then-12-year old piano sensation, had been able to obtain first-class representation in part due to the article we wrote about her. Love it when good things go around and come around!

This season’s line up is also magnificent. I don’t know where Gordon gets his incredible creativity from, but the ideas just seem to flow from him. The season is already half over, so be sure to get your tickets now for the remainder of the schedule. The season resumes after Carnavál, on Valentine’s Day, February 14th.

The “Gordon Campbell Season” is a series of six concerts on Sundays at noon. As the program always takes place during Carnavál, there is one concert that is held in Casa Haas instead of in the Angela Peralta theater. Due to the smaller size of the venue, two showings are scheduled that week, at noon and again at five.

Today was that concert, and it was completely sold out, standing room only. And my oh my was the music good! Performers were Cuarteto Ventura from Culiacán, and to say they played Mexican boleros is a huge understatement. Their classical guitars (including a small one called requinto), congas and incredible harmonies resurrected the original arrangements of music from the Golden Age of Mexican cinema—that era of bad movies and wonderful songs. During the set they also played one Cuban son, and, after the standing ovation, they played a ranchero as an encore. Other than that, the event dripped romanticism as you’ve rarely heard it. We so very much enjoyed ourselves! I kept both the official program list of the songs they intended to play, and the list of the songs they actually played, and I’m planning to put together an online playlist of this gems of Mexican romantic music.

Click on any photo below to view it larger or see a slideshow. My apologies, but I only took my cell phone this time. People recently get very cranky when I take a camera to an event; a bit of NOB mentality impinging itself in our paradise…

Last week’s concert was also incredibly cool. Tiempos Pasados, an antique music ensemble from Guanajuato, performed using instruments that were breathtakingly gorgeous works of art mostly handmade by the group’s Artistic Director, Armando Ávila, who played a different instrument for nearly every song the group played. He is an incredibly talented gentleman—a physicist, instrument maker and musician! Lord knows what else he does in his spare time.

The last three events of this season look to be outstanding as usual. I love how Gordon speaks in both Spanish and English, educating us to the things we might miss without his narration. His rapport with the musicians, and the ear he has for bringing to Mazatlán unique events, are a true gift to our city. Be sure to get tickets (at any Angela Peralta outlet—theater or Rico’s Café) and take advantage!