Tag Archives: Angela Peralta Theater

Lighting the Angela Peralta on Fire!

One of the best musical, dance, and theatrical events of the year in Mazatlán occurs the weekend before Carnaval begins—the “Evening of the Arts.” The event makes the sold-out crowd that fills our historic Angela Peralta Theater beam with pride and delight at their good fortune to live here.

Saturday night February 11, 2023, talented Mazatlecos lit the stage of the Angela Peralta Theater on fire. In a program entitled “Pagan Love,” the night was directed by local legend, Maestro Enrique Patrón de Rueda—born, bred, and still residing right here in our port. The Maestro is Artistic Director of the Mexican National Opera Company, of the opera for the Mexico City Philharmonic, and of the Sinaloan Cultural Festival. Maestro Enrique was trained in the Mexican National Conservatory of Music, London Opera Center, the Royal Academy of Music, and Morley College. His conducting style is filled with passion and a heavy expression of emotion, as you can see in the photos below. Click on any photo to enlarge it or view a slideshow.

The Amor Pagano program united Mexico’s National Dance Company, founded in 1963 and the oldest in Mexico; Mazatlán’s Ballet Company, which is celebrating its 25th anniversary; Brújula Dynamic Flamenco from Michoacán; and the Camerata Mazatlán, founded in 2006.

The second Mazatlecan showcased Saturday night was Sarah Holcombe, beautiful and talented mezzosoprano, who sang the first half of the evening’s program: “Amor Brujo” by Manuel de Falla. Born here in our port, Sarah began her opera studies in our local School of Opera under another local legend, Maestra Martha Félix, in 2007. She further developed her skills in the Angela Peralta Chorus and the Gullermo Sarabia Chorus, demonstrating the high caliber of musical education available to local youth.

Director of our Municipal School of Classical Ballet, Maestra Zoila Fernández is Mazatleca by adoption and choice, though she was born and educated in Cuba. Maestra Zoila teaches students as young as seven years old in our local ballet school and sees many through to professional careers with internationally renowned companies throughout the Americas and Europe. She choreographed the program on Saturday night, including the first act’s Amor Brujo and the final act, Carmen by George Bizet. The flamenco portion of the evening’s dance was choreographed by Nashieli Buelna, another Sinaloan talent shining brightly this Evening of the Arts.

The four key dancers from the National Ballet who starred in Carmen were Ana Elisa Mena Chávez as Carmen; Argenis Montalvo as Don José; Roberto Rodríguez as Escamillo; and Martha Mariana Romero Iribe as Destiny. Their performances were breathtaking—incredible strength, flexibility and grace reminded the audience of the unbelievably perfect beauty of a healthy body. The dancers from our Mazatlán Ballet Company and the 43 talented musicians of our Camerata Mazatlán did an outstanding job, making for an incredible night.

The ostensible reason for this incredible night’s entertainment was to celebrate the winner of the Mazatlán Prize for Literature. This year the award went to David Toscana, from Monterey, for his powerful novel entitled, “The Weight of Living on Earth” (El Peso de Vivir en la Tierra).

Many of our resident foreigners and visiting international tourists love Mazatlán for its miles of beaches, her unbelievable sunsets, the warmth and joy of her people, and our wonderful seafood. Yet another reason to love Mazatlán is for the richness and affordability of her cultural arts scene. If you have not availed yourself of CULTURA’s offerings, you are definitely losing out!

Time to Return to the Theater!

This past Saturday evening, November 6, Delfos Contemporary Dance Company put on an outstanding show at 7:30 pm in the Angela Peralta Theater. The performance, directed by Víctor Manuel Ruíz Becerra, was dedicated to co-founder Claudia Lavista’s recently departed father, and what a tribute it was! Entitled “Painting that Moves,” the dances reflected the lives and work of Salvador Dalí, Leonardo Da Vinci, Frida Kahlo, Toulouse Lautrec, Edvard Munch, Jackson Pollock, William Turner, Vincent Van Gogh, Remedios Varo, and Diego Velázquez. Click on any photo to enlarge it or view a slideshow.

Heavy on the Spanish, particularly Catalán painters, what fascinated me was that this performance was not so obvious. The choreography and scenography did not directly replicate the painters’ work, but most definitely evoked the spirit of the painters’ lives and work. The transitions between pieces were also masterful, weaving together elements of each seamlessly.

Throughout the evening audience members wondered why the stage was wrapped in white paper, much like a gift to the audience. That became clear during the last choreography, when the colorful paint splatters of Jackson Pollack fell from hanging cans all over the performers, to culminate in an exhuberant communal climax.

Nine dancers played multiple roles with quick costume and energy changes: Johnny Millán, Surasí Lavalle, Karla Núñez, Xitlali Piña, Daniel Marín, Diego Alcalá, Jonathan Alavés, Luisa Escobosa, and Rodrigo Agraz, as part of the 2021 Mazatlán Cultural Festival.

This was the first event in the theater I have attended in quite some time, due to the pandemic/endemic. I want to let you all know that I felt very comfortable during the evening. Cultura issued many reminders for those attending to keep on their masks, there was an empty seat between groups, and people were staggered between rows. The main level was fairly full, given the seating restrictions, and I would guess the first balcony was perhaps one-third full based on current capacity. Now that we are vaccinated, it would seem to me to be worth it to get out and about, safely, again. 

You will have another terrific chance next Saturday November 13th when our local ballet company celebrates its tenth anniversary! Can you believe it’s already been ten years? What a gift to Mazatlán these two companies are, the ballet and the contemporary dance. Be sure to get your tickets as no doubt the theater will fill.

Behind the Scenes of the 9th Temporada Campbell

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The 9th Temporada Gordon Campbell brings us loads of live music with first-rate global performers. Concerts are generally at noon on Sundays in Mazatlán’s gorgeously restored, historic Angela Peralta Theater.

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As usual, Maestro Campbell and his wife, Guianeya Román, joined me to give the VidaMaz.com community a “behind the scenes” peak into each concert this season. You can enjoy their commentaries in the short videos below.

Bach’s Magnificat, Sunday January 12, 2020 at noon in the TAP
This next Sunday in the Angela Peralta Theater you can enjoy Bach’s “Magnificat” as sung by the Culiacán Community Chorus with a solo performed by the marvelous tenor from Mexico City, Leonardo Villeda. We are privileged to have Leonardo perform here. In addition to his voice talent, he is director of the well regarded Ad Hominem Chorus in the capital. He and Gordon are such good friends that his 150 person chorus sang at Gordon and Guia’s 50-person wedding! Hear this behind-the-scenes story in the video below.

The soprano will be Perla Orrantia, and second soprano Jessica Toledo, the nineteen year old who started singing with the chorus as a ten-year-old girl. We are so blessed in Mazatlán to watch terrifically talented singers of international caliber grow up before our eyes and in our ears! Susan Sanga will be the mezzo—first time as a soloist in Mexico. Baritone Alejandro Hernandez, soloist in the cathedral concert recently, will also sing.

Mozart and His Women, Sunday 19 January, 2020 at noon in the TAP
The letters between Mozart, his wife, daughter, sister and friends are harvested to create this highly innovative, heart-touching show that provides the story behind some of the best music he composed. Narrated by Angelica Aragón (daughter of local music and film legend Ferrusquilla) while the Camerata Campbell plays, and featuring soprano Perla Orrantia. Below Gordon and his wife, Guia, share the story.

American Quartet by Dvořák, Sunday 26 January, 2020 at noon in the TAP
Antonín Dvořák wrote this piece in 1893 while he was director of the National Conservatory of Music in New York—while spending the summer in, of all places, Spillville, Iowa. In Spillville, Dvořák found an active Czech immigrant community in which he was able to speak his native language and enjoy the feel of home. He finished the chamber piece in less than a month. According to music critic Betsy Schwarm, the composer set out to capture “the spirit of America music in its melodic flow and harmonic construction.” The Marketo String Quartet returns to Mazatlán to perform the four string movements.

Mozart’s Gran Partita, Sunday 2 February, 2020 at noon and 5 pm in Casa Haas
The Sinfonietta Philomúsica Juventus, a group of young people in Culiacán who have asked Maestro Campbell to direct a youth orchestra in addition to the adult Camerata Campbell. Many of them are children or students of the musicians in the camera. In this program 13 wind players will perform Mozart’s best wind music, Serenade No. 10.

Corky Siegel Sings the Blues, Sunday 9 February, 2020 at noon in the TAP
Mazatlán’s beloved, international acclaimed, Corky Siegel returns, playing harmonica and piano while he sings the blues! What a treat this will be! The maestro promises that Corky is living proof leprechauns exist.

3 Centuries of Chamber Music, Sunday 16 Feb, 2020 at noon and 5 pm in Casa Haas
The talented string musicians of the new Sinfonietta Philamúsica Juventus join us this time for the group’s second performance during this 9th Season Gordon Campbell. They will play more than three centuries of music, starting with Renaissance music through 20th century sounds. Gordon’s introduction of the concert below:

The post-Carnaval portion fo the season will include three performances in March, including the Maestro’s personal favorite: his first time ever performance with his son!

Father & Son: Gordon & Alexander Campbell, Sunday 1 Mar, 2020 at noon in the TAP
It was a huge pleasure to meet Gordon’s long-lost and very talented son, and to see the love and joy between these two men now that they are reconnected. I for one can not wait for this concert!

Please forgive the fuzziness of the video; perhaps my concussion is still playing with my brain. I do think the stories are very worth the listen.

The Romantic Music of America, Sunday March 8 at noon in the TAP
The Rondalla will return to their welcoming Mazatlecan crowd

Looking Out for Number 1, Sunday March 15 at noon in the TAP
For the final concert of the 2020 season we will enjoy the young piano prodigy, Hermann Valdez Fregoso, with both the adult Camerata Campbell and the youth orchestra, playing Beethovens Symphony No. 1 and Piano Concerto No. 1.

Buy your tickets at the Angela Peralta box office, either for individual performances or with terrific discounts on season tickets. The Camerata and the Youth Orchestra (this latter completely volunteer) are labors of love. Your donations to support the musical mission are gratefully accepted and are tax deductible.

Madame Butterfly Today for Students

DSC_60341500 primary and middle school children were treated to two operatic performances of Puccini’s Madama Butterfly today in the Angela Peralta Theater accompanied by our beloved Camerata Mazatlán. What a dream come true, right? Or a nightmare, depending on what kind of child you are. Click on any photo to enlarge it or view a slideshow.

CULTURA MZT photo
CULTURA MZT photo
CULTURA MZT photo
I have long been a fan of the free performances, “Cultura in the Community,” and today’s event was no exception. It was a win for the children and for the performers, as the cast who were given the terrific opportunity to play these major roles are all from our Municipal School of the Arts:

  • María de Jesús Herrada sang the title role of Cho-cho, the spurned Japanese girl
  • Alejandro Yepes and Alejandro Pacheco took turns as Pinkerton, the spineless American who marries her for convenience
  • Rodolfo Ituarte and Mario Canela performed as Sharpless, the US American consul who is tasked with delivering the bad news that Pinkerton has married another
  • Daniela Cortés and Mariela Angulo rotated as the maid, Suzuki
  • Bonze, the Buddhist monk who curses Cho-cho, was wonderfully performed by José Lora and Miguel Valenzuela
  • Goro, the marriage broker, was, in true kabuki fashion, performed by Eduardo Tapia

Love and happiness
The curse
Cheers to a long life together
The curse
Hope again
Suzuki reads the letter from Pinkerton
Dreaming
But, I have a son!
The temporarily happy family
The temporarily happy family
Heartbreak
Cho-cho’s suicide
Cho-cho’s suicide
Cho-cho’s suicide
The choice of opera for the crowd of students seemed appropriate, as it can be seen as a cautionary tale against teenage pregnancy. The students’ were audibly shocked when María de Jesús announced she was fifteen years old, and then again when she appeared with her child conceived with Pinkerton. The kids absolutely loved Bonze, Cho-cho’s evil uncle, the Buddhist monk. The role was superbly acted. Of course, in the end Pinkerton and his new wife Kate adopt the child, and Madama Butterfly commits seppuku with her father’s sword.

Marsol Quiñonez Castro, General Director of Cultura Mazatlán, reported that it is the first time in the past five years that there has been a full house for an opera performed for children, and that she was very pleased with the audience’s response. Some of the kids looked spellbound, fortunately, and others slept or talked through the performance, causing Maestro Enrique Patrón de Rueda to “shush” the crowd several times.

Roberto Rodríguez Lizárraga, director of DIF Mazatlán, said he was grateful for the opportunity to host students from junior highs Eti #5, Federal #2, Federal #5, Santa Teresa y Solidaridad, and the Valladolid primary school.

There will be one more performances for students tomorrow morning, Wednesday the 20th, followed by a second at noon for the elderly and disabled.

2019 Camerata Campbell Series

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The 2019 Temporada Campbell started off with a bang—a Big Bang. Entitled “The Big Bang Without the Theory,” the outstanding percussion concert did include a bit of theory after all. Click any photo to enlarge it or view a slideshow.

Quick! Do you know how many types of percussive instruments there are? Two main categories: membranophones and idiophones. And what differentiates the two?

The Camerata’s Percussion Ensemble has played for us before, and they always astound—especially because they are so young to be so incredibly talented!

Mazatlán, we are in luck, as this was the first concert of this Sunday at Noon series, which continues through the end of February. Do NOT miss getting your tickets and enjoying a Sunday afternoon of pleasurable music followed by a lunch al fresco in historic downtown. February 27th should be of particular interest to our readers. See you in the theater!