Behind the Scenes of the 9th Temporada Campbell


The 9th Temporada Gordon Campbell brings us loads of live music with first-rate global performers. Concerts are generally at noon on Sundays in Mazatlán’s gorgeously restored, historic Angela Peralta Theater.

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As usual, Maestro Campbell and his wife, Guianeya Román, joined me to give the community a “behind the scenes” peak into each concert this season. You can enjoy their commentaries in the short videos below.

Bach’s Magnificat, Sunday January 12, 2020 at noon in the TAP
This next Sunday in the Angela Peralta Theater you can enjoy Bach’s “Magnificat” as sung by the Culiacán Community Chorus with a solo performed by the marvelous tenor from Mexico City, Leonardo Villeda. We are privileged to have Leonardo perform here. In addition to his voice talent, he is director of the well regarded Ad Hominem Chorus in the capital. He and Gordon are such good friends that his 150 person chorus sang at Gordon and Guia’s 50-person wedding! Hear this behind-the-scenes story in the video below.

The soprano will be Perla Orrantia, and second soprano Jessica Toledo, the nineteen year old who started singing with the chorus as a ten-year-old girl. We are so blessed in Mazatlán to watch terrifically talented singers of international caliber grow up before our eyes and in our ears! Susan Sanga will be the mezzo—first time as a soloist in Mexico. Baritone Alejandro Hernandez, soloist in the cathedral concert recently, will also sing.

Mozart and His Women, Sunday 19 January, 2020 at noon in the TAP
The letters between Mozart, his wife, daughter, sister and friends are harvested to create this highly innovative, heart-touching show that provides the story behind some of the best music he composed. Narrated by Angelica Aragón (daughter of local music and film legend Ferrusquilla) while the Camerata Campbell plays, and featuring soprano Perla Orrantia. Below Gordon and his wife, Guia, share the story.

American Quartet by Dvořák, Sunday 26 January, 2020 at noon in the TAP
Antonín Dvořák wrote this piece in 1893 while he was director of the National Conservatory of Music in New York—while spending the summer in, of all places, Spillville, Iowa. In Spillville, Dvořák found an active Czech immigrant community in which he was able to speak his native language and enjoy the feel of home. He finished the chamber piece in less than a month. According to music critic Betsy Schwarm, the composer set out to capture “the spirit of America music in its melodic flow and harmonic construction.” The Marketo String Quartet returns to Mazatlán to perform the four string movements.

Mozart’s Gran Partita, Sunday 2 February, 2020 at noon and 5 pm in Casa Haas
The Sinfonietta Philomúsica Juventus, a group of young people in Culiacán who have asked Maestro Campbell to direct a youth orchestra in addition to the adult Camerata Campbell. Many of them are children or students of the musicians in the camera. In this program 13 wind players will perform Mozart’s best wind music, Serenade No. 10.

Corky Siegel Sings the Blues, Sunday 9 February, 2020 at noon in the TAP
Mazatlán’s beloved, international acclaimed, Corky Siegel returns, playing harmonica and piano while he sings the blues! What a treat this will be! The maestro promises that Corky is living proof leprechauns exist.

3 Centuries of Chamber Music, Sunday 16 Feb, 2020 at noon and 5 pm in Casa Haas
The talented string musicians of the new Sinfonietta Philamúsica Juventus join us this time for the group’s second performance during this 9th Season Gordon Campbell. They will play more than three centuries of music, starting with Renaissance music through 20th century sounds. Gordon’s introduction of the concert below:

The post-Carnaval portion fo the season will include three performances in March, including the Maestro’s personal favorite: his first time ever performance with his son!

Father & Son: Gordon & Alexander Campbell, Sunday 1 Mar, 2020 at noon in the TAP
It was a huge pleasure to meet Gordon’s long-lost and very talented son, and to see the love and joy between these two men now that they are reconnected. I for one can not wait for this concert!

Please forgive the fuzziness of the video; perhaps my concussion is still playing with my brain. I do think the stories are very worth the listen.

The Romantic Music of America, Sunday March 8 at noon in the TAP
The Rondalla will return to their welcoming Mazatlecan crowd

Looking Out for Number 1, Sunday March 15 at noon in the TAP
For the final concert of the 2020 season we will enjoy the young piano prodigy, Hermann Valdez Fregoso, with both the adult Camerata Campbell and the youth orchestra, playing Beethovens Symphony No. 1 and Piano Concerto No. 1.

Buy your tickets at the Angela Peralta box office, either for individual performances or with terrific discounts on season tickets. The Camerata and the Youth Orchestra (this latter completely volunteer) are labors of love. Your donations to support the musical mission are gratefully accepted and are tax deductible.

AC/DC in Mazatlán!?


AC/DC is easily one of the most recognized names in Rock & Roll. Their music can be heard all over the world, all over the radio and all over Mazatlán, streaming out of bars, nightclubs, pulmonías, aurígas and cars. To many they are Rock & Roll, with an appeal from today’s youth (like my 21-year-old son) to those who rocked to the band’s first album in 1975. After the original lead singer, Bon Scott, died in 1980, Brian Johnson stepped in and became the “voice” and “sound” of the band until his sudden retirement last year. Axl Rose stepped up to finish the tour, but the future of the band is now in doubt. One thing seems to be for sure: the days of hearing Brian Johnson belt out You Shook Me All Night Long are gone. But wait….

What if I told you that you could see a group called Highway to Hell, with a lead singer who can hit high notes like a young Brian Johnson? What if I told you that group will be playing in Mazatlán at the International Convention Center on Saturday, January 28? Would it help to know that this group not only sounds like AC/DC, but looks like them, right down to Angus Young’s schoolboy outfit and Brian’s hair? They have performed all over the world and are respected enough by the real AC/DC to have shared a stage with Brian Johnson and Cliff Williams (bass player, soon to be retired). They rocked Hermosillo in November ( and recently played to over 10,000 in Mexico City. This is the closest you can get to seeing AC/DC and it is coming to you real soon.

How does something like this come to happen? The commitment and energy of a local expat and longtime music fan, Ray Wright of El Sol La Vida, is making this happen. He has partnered with Tecate, the Mazatlán International Center and TV Azteca. If it’s a success, and I’m sure it will be, he promises to bring more acts to Mazatlán. I had a chance to catch up with Ray recently, and here’s what he had to say. Pay special attention towards the middle for a special promise from the band if the event is a success:

To see AC/DC on their last tour was price prohibitive. Even back in the 80’s, I’m sure I paid over $20 US (plus parking) to see a concert. Call it flashback pricing or whatever you like, but Ray is able to bring us this amazing outdoor open-air event with multiple bands and a DJ, encompassing six hours of music, for only 200 pesos. If you are a VIP rocker these days, 600 pesos gets you a seat at a table. The tables are for eight people, so why not invite some friends to come along as well? Either way you can’t go wrong with affordable food and beverages easily available. Here are the quick facts:


Saturday, January 28, 7:00 pm
Mazatlán International Center
Tickets 200 pesos (VIP 600) – available all over Mazatlán:

Gran Plaza (beginning Friday, January 13) – look for a special kiosk
Mazatlán International Center
Bikinis Bar in the Golden Zone (Thursday – Sunday 6 pm – 4 am)
Athina Spa – Calla Bellisario Dominguez 1600 in El Centro
Reason’s Hair Salon in the Marina
Surf’s Up Cafe
TBM Offices in Marina next to Dock 7
or by calling Ray Wright 669-146-1626

Schedule is more or less as follows:

Doors open at 6:00 with DJ Nhas starting at 6:30
Opening Act: Local band, Beggars Banquet 7:30 – 9:00
Highway to Hell takes the stage around 9:30 and plays until around 11:30 or midnight
DJ Nhas returns and will play music as long as people are buying beer!

Let’s face it, living in Mazatlán rocks (pun intended). But it means that to see an international performer or band, you have to travel to Monterrey, D.F., or even the United States. Tribute bands are a way to fill the void without traveling. And if you’re going to see a tribute band, you should see the best of breed, which Highway to Hell certainly is.

Go NOW and Get Your Tickets for Playapalooza!

11826044_1668255580056760_2044999750367621509_nWe went last night, it ROCKED, and you don’t want to miss the next one!

Lance Vient and the Hotel Playa have a new series of shows this year, and if last night is any indication, Mazatlán is indeed blessed! Called Playa Palooza, last night’s show had a nearly full house dancing till we dropped.

Headliner was a Patsy Cline impersonator, Amberley Beatty. Her voice is sultry and sweet, and her personality sassy. She most definitely charmed our audience. Below is a short clip of her opening her set with “Pearl Bailey:”

Click on any photo to enlarge it or view a slideshow.

Amberley came out into the audience several times to engage the crowd. Below is a clip of her flirting with one happy man from the audience:

Opening for Patsy was Buddy Holly impersonator, Jeff Scott. He had the energy and the moves, and included some Big Bopper, Ritchie Valens and Johnny Cash tunes in his repertoire. Here’s a short clip of him singing “That’ll Be the Day:”

And a few pics of Jeff; click to enlarge or see a slideshow:

And here’s a short video of Jeff singing “Peggy Sue:”

Both Patsy and Buddy were wonderful, and they were what drew Greg and me in, but what really made the night for all of us was the INCREDIBLE rockabilly group from Culiacán—Los Moustros del Espacio Exterior. Yes, weird name, but the group is AWESOME! Very, very tight; excellent musicians. The lead singer, “Voodoo” Sanchez, is completely bilingual, which adds so much feeling to those old favorites. Guitar, bass, sax, drums, and keyboards combined to get even this more “seasoned” crowd jumping to their feet and dancing in the wings of the Venado Showroom. I know we’ll be contacting them for our next party! Check out this short excerpt of just one song:

The group had nearly everyone on our feet, shouting like teenagers. They know how to rock! Click photos to enlarge or view a slideshow.

The Hotel Playa has long been our absolute favorite hotel in town. It’s gorgeous—the architecture, the lighting, the setting, the beach. We can rely on the Playa to have excellent dance music in the evenings, though we do miss their weekly fireworks displays (hint, hint).

For three decades before we moved to Mazatlán full time we stayed at the Hotel Playa on family trips, and we hosted our wedding party here as well. Our son Danny grew up with Paulina, who worked at the pool café. And now, keeping it in the family, Lance Vient is managing things. Below you can see a pic of him last night with his beautiful wife Brooke.

There isn’t a bad seat in the Venado Showroom, everyone, so run over to the Hotel Playa Mazatlán right now and get tickets for the remainder of the series! Mazatlán is home to some of the world’s best musicians; music runs in the blood of patasaladas. So, it’s especially encouraging to see the Hotel Playa bringing music front and center via its innovative Playapalooza!

Tributo a Maná, por Gaby

Lighting at Spectaculare

What a treat we had on Thursday night! 43 of Mazatlán’s best musicians played a Tribute to Maná, in a gorgeously loving effort to raise money for Gaby López, who is battling cancer.

Gaby sat at a center table, in her headscarf, surrounded by about twelve of her girlfriends. It was wonderful to watch all the hugs and well wishes extended to her throughout the evening. How could she not help but feel healed? The event took place at Spectaculare. I always love the lighting there, and Thursday night was no exception.

For a 120 peso entrance fee, we each got two drinks, comfy seats, excellent service and wonderful company at our table, for a show that was very well orchestrated. Band members and singers rotated for pretty much every song, so that by the end of the evening we felt as if we’d experienced dozens of different combinations. Below are some photos of the performers; click on any of them for a larger view.

In between sets, the organizers had slideshows of Gaby, her life, family and friends, as well as video clips containing well wishes from musicians and friends around the country. It was very touching. And especially cool when two members of the real Maná extended their encouragement via video.

It seemed there were several hundred people attending. There were also 300 peso/all-you-could-drink seats down front, but those were sparsely used, unfortunately. I put together a one-minute clip with a taste of some of the performances. You can view it at the bottom of this post. Enjoy!

Gaby, we don’t know you, but we hope you will recover soon: healthy and strong. Thank you for letting us share in this beautiful evening with you. Friends of Gaby: bless you. What a terrific event to orchestrate for a friend!

Julión Álvarez live at Culiacan’s Palenque 2012 – The Full Report!

Read this blog post and you will get:

  • A video-packed report of our attendance at a Julión Álvarez concert
  • A better understanding of what “palenque” means
  • Insight into buchones and other things Culiacán


Well, it finally happened. I got to see Julión Álvarez perform live. What a road it’s been for him and for us. Adopted by Mazatlán, Julión sang for Banda MS (MS standing for Mazatlan, Sinaloa) for three years before going solo as Julión Alvarez y su Norteño Banda. His first album was released in 2007, and sometime after that and before we moved to Mazatlan in 2008, I was introduced to and hooked by his music.


So, it was a huge opportunity when Julión Álvarez was scheduled to play outside at Sumbawa in April, 2009. How nice to be able to walk down the street and see someone who I knew was going to be huge one day, live in a small venue! What could go wrong — how hard could this be?  Well, some pigs in Asia ruined it all. In March of 2009, the H1N1 swine flu “pandemic” took off in Mexico and part of the official government reaction was to cancel all large gatherings of the general public. Click here to read our blog post from that time. Ignorantly, I assumed Julión would simply reschedule. Ha!

Fast forward 42 months. I’m reading the paper one day and see an article listing the music schedule for the Feria Ganadera in Culiacán, Sinaloa. There he is closing night — three albums, countless videos and hit singles later, Julión Alvarez y su Norteño Banda! Two hours away in the capital of Sinaloa in a city many people warn us not to travel to; Julion is going to be the closing night performer at what amounts to the State Fair. He is to play on December 1. I don’t care what else is going on (and there was a lot) —we’re going!  Somehow by going we earned some “street cred” with the locals. Looking back, part of me gets it, but not completely. Read on and see for yourself.

Buying tickets in Mazatlán for an event in Culiacán was surprisingly difficult. Searching the Internet, I could not find a Culiacán website that sold them, and Ticketmaster didn’t have them. Danny reached out to a friend there and he couldn’t help us. A local friend reached out to her friend there and she said they were not on sale yet. Not atypical. As the date got closer, she reached out again and I reached out to a friend in the state government. Both reported back that they had friends who could get tickets for us. So, our friend’s friend got us two tickets and delivered them to Mazatlan the following week.

The annual International Marathon of the Pacific was held the same weekend. This meant we would miss the annual Festival of Lights fireworks ceremony for the first time since living here, as well as have to deal with stashing our car around the block to get around because our street would be closed for two days.

These issues amounted to little more than minor speed bumps on the way to a great night.

Our tickets were 750 pesos each — or about $60 USD — very expensive by local standards.

About 22 people were on stage the entire time. Julión was performing in a cock fighting ring at the State Fair; this was not Carnegie Hall. The newspaper said there were over 5,000 in attendance. Julión was surrounded by his band and performed “in the round,” making sure to turn and see all of his fans.

Gringos in the audience: 2

When we entered the venue, we presented our tickets (after our third security check and frisking of the night) and were escorted to our seats. A young man with a rag wiped down our seats and then asked if we wanted to give a tip. Whatever, ten pesos.

Following behind us as we found our seats was mesera (waitress) number 12. She presented us a typed laminated menu and asked if we wanted anything. Bottle of water, check. One beer, check (only Tecate Light, but don’t get me started on that). The rest of the menu was for other people: bottles of whiskey, tequila or rum priced at 1,000 pesos and up. Coke was 100 pesos and served in a two liter bottle. So, we sipped and we watched. An average group would arrive of four or five people. They would order a bottle of whiskey, 12 beers packed in ice, a few Red Bulls and maybe a snack. This scene would be repeated again and again all night long with groups placing reorders constantly. Bottom-line, these folks got drunk. And, thanks to the Red Bull, they were drunk and wide awake! With each order of a bottle of whiskey, they would receive a stack of cups with napkins, two buckets of ice and their 2-liter bottle of mixer (usually mineral water). Don’t forget that amidst all of this, the bag o’ beers had to fit on or around them. You can only imagine what it was like to get up and try to reach an aisle! The meseras were not the tiniest thing on the block either, in fact most of them were old battleaxes who didn’t give a hoot if they stood in front of you for 5 seconds or 5 minutes — they were just working the tips. Drunk young people trying to impress tip well.  This, of course, is not hard to do, when one round is anywhere from 3,000 pesos on up. Ouch! But, these young people of Culiacán seemed to just print money. They all, men and women, had fat rolls of cash and were not hesitant to spend it.

There are always distractions at public events — that’s what makes people watching so much fun. This night was no exception. The only problem is where to begin.

First of all, I need to try and explain palenque to you. Essentially, it is a legal, sanctioned cock fight and “raffle” popular at ferias (fairs). In this case in Culiacán, the palenque entrance and the concert venue are one and the same, so the ticket is as well. The whole State Fair is colloquially called the “Palenque.” Want to go watch and bet on the cock fights? Then you are going to see Julión Álvarez as well. Want to see Julión Álvarez? Then you are going to watch cock fighting (or go late). Our tickets said the cock fighting starts at 7:30 and the artist will be on at 11:30. We got in around 10:00 and said goodbye to the cock fighting MC just after midnight. Anyhow, as I was saying, the stage for the performance is a cock fighting ring. Watch the change happen here, or just look at the before and after pictures, same stage:



The fashion was really interesting. Most men had nice jeans and a nice shirt. Some men wore sport coats or slacks. There were lots of nice cowboy boots and a sea of white Stetsons. The women were the real story. Sequined shorts were all the rage and when I say shorts, I mean short. Leather pants in a variety of colors, leopard prints and tiger prints, were a common sight as well. I believe that Sinaloa women have a natural beauty, but the women of Culiacán are just not sufficed with that. They add. Push-up bras and obviously augmented breasts were a constant distraction to this writer, as were fake butt cheeks (sorry, I honestly don’t know what these things are other than unnatural and unflattering). Dianne was particularly fascinated with the “hair lifts.” The women wore their hair back and in doing so concealed a plastic foundation of some sort that raises the hair off the head, forming a ridge. Sorry, we could not get any decent pictures for fear of retribution. People did NOT want their photos taken!



There was a guy two rows ahead of that I was able, or almost forced, to watch all night. He did some really strange stuff. First of all, he was dressed nice (for a cock fight) and had no trouble spending lots of money. Had he not been mixing the Red Bull with his whiskeys, he would have passed out. As the night progressed, it got crazy. There were a lot of drunken people and multiple waitresses squeezing past our knees chasing sales and tips. As a waitress would squeak by this guy with a tray full of beer, ice buckets, etc., he would occasionally lighten the tray of a beer or two. It was like a game. All I kept thinking is that the poor waitress has to pay for them. He really pushed things at around 3:30 in the morning. There was a photographer working the crowd. He takes your picture with a fancy Polaroid, puts it into a cardboard frame, gets your money, and he’s gone. Business was a little slow, but he worked hard in his attempt to cover between 5,000 and 6,000 people. This guy carried a satchel across his body on a strap that he would turn toward his backside to get by some tight spots in the crowd. So as he is attempting to get by my friend, there is a waitress coming from the other end and he is forced to stop for a few seconds. When he does, this guy two rows up deftly reaches into the photographer’s satchel and removes a package of the frames — maybe around 50 or so. This is the kind of item no average person has the use for, agree? As the photographer walks on, clueless as to what happens, my friend starts to proudly show his buddies what he has done. One of his friends appeared to have a moral compass. His body language indicated that he was not happy and he began to see if he could locate the photographer. After extended minutes of arguing, the thief grabbed the frames back from his friend. A waitress working in the row above witnessed the whole thing, and even she had the guts to come over. She tried calling out for the photographer, but with the music it was next to impossible. Finally, after the photographer had cleared the row and exited to the promenade, the thief gave the frames to the waitress, who set out in the direction of the photographer, apparently intent on returning them.  My take was this guy was a skilled thief. Every move he made was made with confidence and no fear of recrimination. He did it for pure delight. I knew enough about Culiacan to mind my own business and say nothing (until now).

There was a small opening act of sorts that played for about twenty minutes. Julión and his band came on just before one in the morning and when we left at 4:20, he was still going strong. We understand the concert ended just after 4:30. He played non-stop. His only break from singing came when his tuba player, Cheque, sang a couple of songs. Even during those times, Julión kept busy signing autographs, posing for pictures, dancing with a seemingly never-ending line of women, and being a great host.


In the first hour, Julión went through most of his biggest wide-reaching hits: La Maria, Las Mulas de Moreno, (click to view)  La Niña, Olvídame… Next, he played a series of his smaller hits and popular songs, and then switched to classic corridos, cumbias and banda songs — the same songs played by every banda group around, but with his amazing voice and incredible backing band. The crowd loved it. In fact, it was often hard to hear Julión’s voice for the sheer volume of the crowd, as they knew every word to every song and were not afraid to help out. Just watch! A few other videos for you:
For the Mazatlecos in the crowd, he sang our song!
See how into things the crowd was at 3:45 (great ad for Red Bull)
A quick shot of the crowd with some house lights on.

A few things made the night special. Julión was the consummate host. He welcomed people on stage to take pictures, dance a few turns or just high five him; it was as though he was returning to his home neighborhood to share in his good fortune. In the clips above, you will see some Down’s syndrome fans that Julión welcomed on stage to dance a few songs for the crowd and share their excitement with the world. When three kids ran on stage to dance, Julión gave clear instructions to his handlers to let them stay. It definitely made for a night that three families will never forget! For about 30 minutes straight, Julión invited all the women to line up and dance with him one at a time. Each gal got a quick spin, a smile, a kiss and if asked, a quick pose for a picture. Watch here. He never stopped making good eye contact with the audience, waving, smiling and making everyone feel welcome. He even gave a special wave to Dianne.

Culiacán — We have spent a little time in Culiacán and know the people there are different, but wow, was this an eye-opening night. Rare is it when we travel anywhere in Mexico that someone doesn’t talk to us about where we are from, were we live, how well we (Dianne) speak Spanish, etc. On this night not one person spoke one word to us. Mind you, we sat next to, in front of and behind people in very close quarters for hours, but nada!

Did we feel safe? Yes. Did we avoid trouble? Yes. Would we do it again? Yes, in a heartbeat. It was a fabulous night with great music in an awesome venue. The late night is no problem if you plan for it. We had a nearby hotel and planned on being out late. Our plans worked out well. I just need a white Stetson hat and a wad of a cash to blend in J (or not).

I was a Julión Álvarez fan before we went and I’m a bigger fan now. That’s the way it should be.

Here is a link to a YouTube playlist of all of the videos.

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