You all are absolutely the BEST! Thank you for your generosity in making it possible for us to build a Home for Juan Manuel!
In our last post to you we showed you the newly painted outside of the house with its doors and windows in place, including several videos. Today I am happy to report that we have a working kitchen installed, using donated wooden cabinet doors and a steel sink and building a base around them for kitchen storage and a counter to cook on. Woot woot! We also have water and electricity functioning in the house! Zata has built a very basic back patio using extra block and gravel, where a hose bib and donated washboard will be installed so Juan Manuel and Don Rodolfo can wash their clothes and the water will run off or soak in rather than make mud. Click on any photo to enlarge it or view a slideshow.
A good friend of mine has offered to donate a brand new refrigerator. Fingers crossed! So, all we seem to be missing are:
A small boiler for hot water—might you know someone who has one???
And two single beds (a trundle bed would be ideal) or at least single mattresses, as anything larger will not fit in this very small home.
Karly B, or Karla Susana Becerra Salazar’s eye-catching designs of the monuments of Mazatlán originally caught my eye on Instagram. She came to our home for an interview—we met with masks and safe social distancing—and I’m happy to say I am the proud purchaser of several sets of eight stickers with images of the Landmarks of Mazatlán, ready for my gifting pleasure.
The stickers are her very first product and cost only 50 pesos a pack. They are colorful, thin and light—easy to mail to friends and relatives out of town or keep in a purse for easy gifting. Karly made a second series of Valentine’s designs that I also love, and is working on a whole bunch of designs that she animatedly explains to me, “are filling my head and demanding to get out!” Click on any photo to enlarge it or view a slideshow.
Karly is a 32 year old mother of two young sons, seven years and seven months old. Mazatlecan-born, she graduated from Instituto Anglo Moderno so speaks English well, then studied graphic design at the University of Guadalajara. There she worked for international and domestic clients at One Simple Idea, a creative agency. She missed home greatly, and the family returned here late last year due to the pandemic. Her husband is also a graphic designer, from La Paz, who currently works in video game design.
KarlyB Illustration is out to upgrade the caliber of tourist souvenirs in our fair city. She wants to put her designs on stickers, wall papers, mugs and t-shirts as well as framed prints. She is currently working for private clients as well, including our friend Ocean Rodriguez, who has commissioned her to do a series of his Carnaval floats from last year. “The only thing holding me back is time. I need more of it!” she jokes.
For the past six years Karly has been envisioning a set of lotería (Mexican bingo) cards specific to Mazatlán, but she didn’t follow through and the Mazatleco has now beat her to that idea. He actually contacted her about a pulmonía image she designed back in 2012. She felt she had learned so much in the years since that original design that she took the opportunity to create what she feels is a much-improved version this year, with smoother lines and better design.
She described to me how she works in Illustrator or PhotoShop on a large tablet with a stylus. She creates everything from start to finish digitally, from composition and draft sketches to drawing line art, coloring, adding detail and exporting. She tells me she does quite a bit of research, particularly reviewing photos, prior to beginning her designs. “I have to exaggerate to get perspective. I made our little heart plaza look more like a heart. The malecón is so long that I shrink it in my designs, and the angle of the Hotel Hacienda isn’t the best from the street so I change it up,” she explains.
“Mazatlecos love Mazatlán; we love our city perhaps more than any other people I can think of,” Karly says. I shared my hope that her designs might leverage the pride residents feel for our city and teach them the value of preserving our history, heritage, values and environment—preserving landmarks such as Valentino’s rather than razing it, caring for our waterways rather than littering them, and showing more community responsibility.
I am often saddened that our local souvenir offerings are so stale and repetitive. It’s great to see a vibrant series of modern designs based on iconic images of our beloved Mazatlán. Karly’s work is perfect for tourists and visitors as well as local residents. And I love to support a woman entrepreneur! You can purchase prints, stickers or any of her upcoming work by contacting Karly via WhatsApp: 669-289-3375 or email.
Interview of Guadalupe Aguilar by Ernestina Yépiz, translation by Dianne Hofner Saphiere
This article first appeared in Spanish in the online magazine Fogones: La poética del paladar. I share this translation here because Guadalupe is a terrific local artist whose work I much admire. I encourage VidaMaz readers to get to know her work. Guadalupe also makes and sells kombucha here in town.
The work of Guadalupe Aguilar, together with and in each of the creations that compose it—which in each one is complete also—establish a dialogue, almost an intimate conversation, with the landscape, poetry, writing, the creative process and creation itself. In this context her artistic vision is to permit yourself to be touched by the subtle, experiment the sublime and get a hold of the ungraspable: that which is so fleeting that we can only feel it and make it our own at the instant or sum of moments of the aesthetic experience.
Guadalupe Aguilar holds a PhD in Fine Arts from the Polytechnic University of Valencia and a Master’s in Art History from the Faculty of Philosophy and Letters of UNAM. Her creative production has been exhibited nationally and internationally. In her work as a contemporary artist she explore the relationship between art and nature; she does the same with philosophy and poetry. In her work she uses forms of expression and manifestation including installations, video, weaving, writing, drawing and sculpture.
Several exhibitions stand out in her artistic career: Über das gluck or The way of the possible, at the Cultural Institute of Mexico in Austria in 2005; The water in a thread in the Kunsthalle Krems, Austria in 2006; Words in flight, in La sala Naranja in Valencia, Spain in 2007; in 2008 Agudeza or Acuity at the Huuto Gallery in Helsinski, Finland; Inverted shipwreck in Culiacán, in 2011; Filiform Suns in the Contemporary Gallery at the University of the Cloister of Sor Juana in Mexico City in 2012; Armonía or Harmony in the Gaals, in Culiacán, Sinaloa in 2016; Rangoli-Solitaire in Mysore, India in 2016.
Currently, in one of the galleries of the Museum of Art of Sinaloa, Guadalupe Aguilar is exhibiting Azul profundo or Deep Blue, a sculptural piece in which she dialogues with the marine watercolors and drawings of Maestro Edgardo Coghlan. That very intimate conversation is the theme of this interview. Click any photo to enlarge it or view a slideshow.
What sparked the idea of creating Deep Blue? It all started with my reflections and readings on our inner consciousness of time, precepts taken from the philosophy of Edmund Hüsserl, primarily. The idea initially was to make a cut in the surface of the sea, with the aim of detaining the incessant coming and going of the sea’s dermis, but not it an image but rather in an object, and that is how the piece came to be. I now live so close to the ocean that these past two years I have reflected on the infinity of its surface and all it holds.
The environment and the landscape always influence. Yes, although if I go a bit further back, I believe this idea began to germinate in my mind in 2006 or 2007, when I lived in front of a mighty river. The movement of the current got me to thinking about the fleetingness of nature and its ephemeral forms. So, I captured these thoughts in a video and sculpture. The project was titled, El agua en un hilo, The water in a thread, and it was comprised of two reticular cuts in the flow of the current, where the common thread between the two pieces, the video and the sculpture, is the Danube, in a cube and in pixels.
Certainly, contemplating the water in a thread leads us to the abstraction of thinking about the flow of time. Yes, both pieces pose an exercise around the idea of time and invite us to think about the present, the result equates the internal weight of the past and the future. The here and now.
Why did you choose the Masin (Museum of Art of Sinaloa) for the Deep Blue exhibition? In 2011 I exhibited the Otra forma or Other Form there, a piece measuring two square meters and consisting of a grid of pins as a support for geometric parts of the plant world. There I saw for the first time the marinas that Master Edgardo Coghlan made, which tour part of the Sinaloan landscape and geography. Since then, I have dialogued with his work and Deep Blue is the result of that conversation. I consider, moreover, that it is important to explore the Sinaloan landscape, which during this long confinement has been denied to us. It is a good moment to revalue our environment and promote its care.
Does Deep Blue mark a distance from your previous work? I ask not in a conceptual or thematic way, but rather for the type of materials you utilized: paraffin, crystal, metal, steels cables and LED lamps. Distance in the sense of moving away from, no. I actually think that I always repeat myself, including with the type of materials. In addition to the piece described in question one, that corresponds to an installation exhibited in Kunsthalle de Krems, Austria in 2006, I’ve also made drops of resin and clung to the idea of stopping the path of the water drops. Once I made rain with needles and other times sculptures of resin or paraffin. The drops of resin were never exhibited, but the persistent rain of needles was part of the Soles filiformes exhibition which took place in the Contemporary Gallery of the Cloister of Sor Juana.
I had the opportunity to see your poetic-conceptual, visual and auditory proposal. I remember you used paraffin. A lot of time has passed since then. Yes, quite a bit, I believe; it was in 2012.
What was the last exhibition you had prior to Deep Blue? I believe Deep Blue is an obvious continuation of the exhibition mounted just a few months ago in Bauprés Gallery in Mazatlán, which included objects that detain the fugitive forms of the landscape surrounding my Mazatlecan habitat. That exhibit was entitled The Permanence of the Ephemeral.
What artistic projects are you currently working on? A huge imprint of the tormented sea and on stopping the mind.
It’s a new month! Can you believe it’s already the second one of this new year?! Where has time gone? There are so many people in town for the Serie del Caribe; please take precautions for your health and safety, as hospital occupancy and COVID infections continue on the rise.
This past week we finished up the basic structure of the Home for Juan Manuel! It looks great! The inside walls are now plastered, the cement floor is finished, and a hole for the septic tank has been dug. A woman has kindly donated a ceiling fan with a wall switch, so we will use this one for this project and keep the hotel’s ceiling fan for a future project (this one is much nicer). We are coordinating with the authorities to have electrical and water connected to the house. Click on any photo to enlarge it or view a slideshow.
This coming week Zata will seal the floor, put waterproofing on the roof and outdoor walls, finish the hot water connection and build a platform for the tinaco. If time remains, he will work on bringing electricity from the pole to the house and begin to install a drainage system in the back of the house for used water. A friend of Yolanda’s will come to build the septic tank, making it out of block in the front so it’s more accessible for the truck that will pump it out.
The biggest challenge we’ve had for several weeks has been an inability to secure the house, which stops us from finishing up anything inside. A woman has kindly and generously volunteered to install windows, but she has been out of town for a few weeks. The wooden door we got from the hotel needs to be resized, but we can’t find a carpenter to do that for us affordably. Without an ability to secure the house, we can’t install finishes such as sinks, switches and toilets, as they will get robbed. Thus, the five of us met today: Greg, Jorge, Yolanda, Zata and me, and decided to bite the bullet and buy security bars for the two missing windows and a security door for the front. Once secured, Zata should be able to quickly proceed with installing interior fixtures.
Bless you all! This is a love-filled, charitable project for a very good cause, and your generosity and cooperation are making it possible. Thank you. Should you or anyone you know care to help out, the ways to donate are:
Click the “Donate” link in the right-hand column on this VidaMaz.com website, and pay via PayPal.
Go to any OXXO and donate to BanCoppel account 4169-1603-7041-0699 (photo below) in the name of Yolanda Medina.
Canadians who prefer to email money can send it to Jeanette Leraand: firstname.lastname@example.org
Contact Yolanda via WhatsApp at 669 431 4529 to arrange a time to meet and give her your donation.
Contact me at email@example.com and I’ll pick up your donation.
The great news last week included that so many of you were once again so very generous with your donations. Thank you!! You want this house built and finished as much as I do and almost as much as Juan Manuel and Don Rodolfo! Funds received to date are 108,797 pesos. Total paid out thus far is 68,687, with a balance remaining of 40,110. This is terrific news, as last week we had gotten very tight.
Yolanda and I were able to go to the Aguamarina Hotel on Wednesday and pick out a nice selection of the things they are selling (they are closing their doors as the hotel will be demolished and a huge development á la Camino al Mar will go in its place)—generously donated to us free of charge. We were able to get a couple of wooden doors (that need to be resized for our purposes), a ceiling fan, a bunch of electrical outlets and switches, light fixtures, a plastic table, and a couple of tambos or plastic garbage cans to use to store water. We also got quite a bit of bedding and kitchen items which we can put to good use in this and other projects.
This week’s plan is to plaster the interior walls of the house and begin installing electrical and plumbing finishes, including the kitchen and bathroom sinks and toilet. The lady who has donated these items has also promised us her old tinaco, which we won’t get for a couple more weeks. Thank you!!!
This morning I received a note from a lady who has most kindly and generously offered to conduct a fundraiser amongst her family and friends to raise the money needed to build the wheelchair ramps that I had hoped to build for both Juan Manuel and his neighbor, Don José. As of last week, I’d given up on that dream. Bless her. I need to get her estimates on cost, so she knows how much to aim for in her campaign.
Thank you all! The house is a solid structure, with a roof and drainage. We have what we need for the interior; now we just need to finish that up and then install windows and doors. We are getting closer! If you or a friend or neighbor would like to help out with this project, the ways to donate are listed at the end of the original post.