Fresh New Images of Mazatlán Landmarks

Karly B, or Karla Susana Becerra Salazar’s eye-catching designs of the monuments of Mazatlán originally caught my eye on Instagram. She  came to our home for an interview—we met with masks and safe social distancing—and I’m happy to say I am the proud purchaser of several sets of eight stickers with images of the Landmarks of Mazatlán, ready for my gifting pleasure.

The stickers are her very first product and cost only 50 pesos a pack. They are colorful, thin and light—easy to mail to friends and relatives out of town or keep in a purse for easy gifting. Karly made a second series of Valentine’s designs that I also love, and is working on a whole bunch of designs that she animatedly explains to me, “are filling my head and demanding to get out!” Click on any photo to enlarge it or view a slideshow.

Karly is a 32 year old mother of two young sons, seven years and seven months old. Mazatlecan-born, she graduated from Instituto Anglo Moderno so speaks English well, then studied graphic design at the University of Guadalajara. There she worked for international and domestic clients at One Simple Idea, a creative agency. She missed home greatly, and the family returned here late last year due to the pandemic. Her husband is also a graphic designer, from La Paz, who currently works in video game design.

KarlyB Illustration is out to upgrade the caliber of tourist souvenirs in our fair city. She wants to put her designs on stickers, wall papers, mugs and t-shirts as well as framed prints. She is currently working for private clients as well, including our friend Ocean Rodriguez, who has commissioned her to do a series of his Carnaval floats from last year. “The only thing holding  me back is time. I need more of it!” she jokes.

For the past six years Karly has been envisioning a set of lotería (Mexican bingo) cards specific to Mazatlán, but she didn’t follow through and the Mazatleco has now beat her to that idea. He actually contacted her about a pulmonía image she designed back in 2012. She felt she had learned so much in the years since that original design that she took the opportunity to create what she feels is a much-improved version this year, with smoother lines and better design.

She described to me how she works in Illustrator or PhotoShop on a large tablet with a stylus. She creates everything from start to finish digitally, from composition and draft sketches to drawing line art, coloring, adding detail and exporting. She tells me she does quite a bit of research, particularly reviewing photos, prior to beginning her designs. “I have to exaggerate to get perspective. I made our little heart plaza look more like a heart. The malecón is so long that I shrink it in my designs, and the angle of the Hotel Hacienda isn’t the best from the street so I change it up,” she explains.

“Mazatlecos love Mazatlán; we love our city perhaps more than any other people I can think of,” Karly says. I shared my hope that her designs might leverage the pride residents feel for our city and teach them the value of preserving our history, heritage, values and environment—preserving landmarks such as Valentino’s rather than razing it, caring for our waterways rather than littering them, and showing more community responsibility.

I am often saddened that our local souvenir offerings are so stale and repetitive. It’s great to see a vibrant series of modern designs based on iconic images of our beloved Mazatlán. Karly’s work is perfect for tourists and visitors as well as local residents. And I love to support a woman entrepreneur! You can purchase prints, stickers or any of her upcoming work by contacting Karly via WhatsApp: 669-289-3375 or email.

The Duality of the Cosmos: Water and its Landscapes

Interview of Guadalupe Aguilar by Ernestina Yépiz, translation by Dianne Hofner Saphiere

This article first appeared in Spanish in the online magazine Fogones: La poética del paladarI share this translation here because Guadalupe is a terrific local artist whose work I much admire. I encourage VidaMaz readers to get to know her work. Guadalupe also makes and sells kombucha here in town.

The installation in Culiacán Photos by the artist

The work of Guadalupe Aguilar, together with and in each of the creations that compose it—which in each one is complete also—establish a dialogue, almost an intimate conversation, with the landscape, poetry, writing, the creative process and creation itself. In this context her artistic vision is to permit yourself to be touched by the subtle, experiment the sublime and get a hold of the ungraspable: that which is so fleeting that we can only feel it and make it our own at the instant or sum of moments of the aesthetic experience.

Guadalupe Aguilar holds a PhD in Fine Arts from the Polytechnic University of Valencia and a Master’s in Art History from the Faculty of Philosophy and Letters of UNAM. Her creative production has been exhibited nationally and internationally. In her work as a contemporary artist she explore the relationship between art and nature; she does the same with philosophy and poetry. In her work she uses forms of expression and manifestation including installations, video, weaving, writing, drawing and sculpture.

Several exhibitions stand out in her artistic career: Über das gluck or The way of the possible, at the Cultural Institute of Mexico in Austria in 2005; The water in a thread in the Kunsthalle Krems, Austria in 2006; Words in flight, in La sala Naranja in Valencia, Spain in 2007; in 2008 Agudeza or Acuity at the Huuto Gallery in Helsinski, Finland; Inverted shipwreck in Culiacán, in 2011; Filiform Suns in the Contemporary Gallery at the University of the Cloister of Sor Juana in Mexico City in 2012; Armonía or Harmony in the Gaals, in Culiacán, Sinaloa in 2016; Rangoli-Solitaire in Mysore, India in 2016.

Currently, in one of the galleries of the Museum of Art of Sinaloa, Guadalupe Aguilar is exhibiting Azul profundo or Deep Blue, a sculptural piece in which she dialogues with the marine watercolors and drawings of Maestro Edgardo Coghlan. That very intimate conversation is the theme of this interview. Click any photo to enlarge it or view a slideshow.

What sparked the idea of creating Deep Blue?
It all started with my reflections and readings on our inner consciousness of time, precepts taken from the philosophy of Edmund Hüsserl, primarily. The idea initially was to make a cut in the surface of the sea, with the aim of detaining the incessant coming and going of the sea’s dermis, but not it an image but rather in an object, and that is how the piece came to be. I now live so close to the ocean that these past two years I have reflected on the infinity of its surface and all it holds.

The environment and the landscape always influence.
Yes, although if I go a bit further back, I believe this idea began to germinate in my mind in 2006 or 2007, when I lived in front of a mighty river. The movement of the current got me to thinking about the fleetingness of nature and its ephemeral forms. So, I captured these thoughts in a video and sculpture. The project was titled, El agua en un hiloThe water in a thread, and it was comprised of two reticular cuts in the flow of the current, where the common thread between the two pieces, the video and the sculpture, is the Danube, in a cube and in pixels.

Certainly, contemplating the water in a thread leads us to the abstraction of thinking about the flow of time.
Yes, both pieces pose an exercise around the idea of time and invite us to think about the present, the result equates the internal weight of the past and the future. The here and now.

Why did you choose the Masin (Museum of Art of Sinaloa) for the Deep Blue exhibition?
In 2011 I exhibited the Otra forma or Other Form there, a piece measuring two square meters and consisting of a grid of pins as a support for geometric parts of the plant world. There I saw for the first time the marinas that Master Edgardo Coghlan made, which tour part of the Sinaloan landscape and geography. Since then, I have dialogued with his work and Deep Blue is the result of that conversation. I consider, moreover, that it is important to explore the Sinaloan landscape, which during this long confinement has been denied to us. It is a good moment to revalue our environment and promote its care.

Does Deep Blue mark a distance from your previous work? I ask not in a conceptual or thematic way, but rather for the type of materials you utilized: paraffin, crystal, metal, steels cables and LED lamps.
Distance in the sense of moving away from, no. I actually think that I always repeat myself, including with the type of materials. In addition to the piece described in question one, that corresponds to an installation exhibited in Kunsthalle de Krems, Austria in 2006, I’ve also made drops of resin and clung to the idea of stopping the path of the water drops. Once I made rain with needles and other times sculptures of resin or paraffin. The drops of resin were never exhibited, but the persistent rain of needles was part of the Soles filiformes exhibition which took place in the Contemporary Gallery of the Cloister of Sor Juana.

I had the opportunity to see your poetic-conceptual, visual and auditory proposal. I remember you used paraffin. A lot of time has passed since then.
Yes, quite a bit, I believe; it was in 2012.

What was the last exhibition you had prior to Deep Blue?
I believe Deep Blue is an obvious continuation of the exhibition mounted just a few months ago in Bauprés Gallery in Mazatlán, which included objects that detain the fugitive forms of the landscape surrounding my Mazatlecan habitat. That exhibit was entitled The Permanence of the Ephemeral.

What artistic projects are you currently working on?
A huge imprint of the tormented sea and on stopping the mind.

Street Art Tour in Concordia

Happy Valentine’s Day, dear readers, Feliz Día del Amor y la Amistad. Thank you for being here. Thank you for being part of this community, for helping do good work here in Mazatlán, for enjoying the beauty and the people of our adopted city, for encouraging my photography and my writing.

Today I am joined in wishing you happiness by Chema—José Manuel Velarde Chávez, of Concordia; his wife Claudia Belén; and their son Angel Adán. Click on any photo to enlarge it or view a slideshow.

Chema is a graphic designer. By day he works in Mesillas on CAD programs on a computer, designing furniture and sizing parts so that the carpenters can do their magic. In the early mornings and evenings, however, Chema loves to draw and paint. He wakes up before dawn, turns on some music, and paints in his patio while the rest of the family slumbers.

A couple of years ago he decided he wanted to spruce up the street where he lives. His wife’s family owns most of the two block street, so he asked his in-laws for permission to paint murals on the alley walls.

The first mural he painted was on a door that no one uses anymore. He painted a charro or Mexican cowboy kissing a pretty lady in 2018. “Aw, you painted it for your wife,” I asked. Chuckling, he quickly caught on and said, “yes, yes, that’s right!”

In 2019 Chema added a catrina for Day of the Dead: she happily dances with the all-too-true caption, “In Mexico death is living culture.” This is a link to him painting the catrina.

After those two wall murals, Chema painted a window with some flower pots, then the wings that every town now seems to have to have for Instagram photo ops, his version of Frida (faceless, as he reminds me “her eyebrows are her distinctive trait”), and my personal favorite, a gorgeously colorful xolo or xoloitzcuintli dog, the intelligent, hairless pets of the Aztecs.

The family lives on the now very picturesque Callejón Nana Chon— Encarnación Valdéz Avenue, in this beautiful historic mining town called Concordia.

Chema tells me that he and Claudia have been pleasantly surprised at the response to his artwork, and the fact that it appears to be contagious. Residents of another nearby street have now painted and installed benches, and he’s thinking they are planning to paint murals as well. He hopes that the street art might provide another attraction for the busloads of tourists who visit here to tour the church and enjoy a raspado (shaved ice) in the plaza.

The couple and their family decorated the callejón or alleyway at Christmastime. Chema tells me that neighbors and townspeople came over to donate decorations they had to add to the display, so it became a real community effort. When we visited last week the alley was all decked out in Valentine’s finery. They even light it up at night for lovers to enjoy—evidently the callejón is known as lover’s lane! Soon they will be putting up superheroes in preparation for Día del Niño or Children’s Day.

The most challenging aspect of his voluntary beautification project? Finding the time to paint. He works 8-6 every day, till 1 on Saturdays. When he comes home he’s tired. In the winter the sun sets early, and he can’t paint in the dark. But he loves painting the murals in any spare time he can find, and Angel Adán loves watching him do it.

When we visited Chema had a Quetzalcoatl plumed serpent (which he’d drawn to resemble a dragon) ready to begin painting on Sunday. After that he hopes to paint a totem of the busts of three Aztec warriors: a jaguar, an eagle and a woman. I know I can’t wait to see either of these newest paintings! He is also planning a homage to Concordian musicians, including Greg’s favorite, Roberto Junior (“El Coco No”).

On Sundays Chema and his family open a “bazaar” or art market in the alleyway, where they sell handicrafts including painted roof tiles. He has painted since he was 15 years old; he loves it. As a young child he drew. He remembers his father loved to draw, and when he entered elementary school, his Dad bought him a set of colored pencils. It was his favorite gift ever.

I met Chema because my ahijado, Carlos, shared with me photos of Chema’s very colorful Mexican-themed street art, and I then got in touch with him in hopes of watching him paint. I invited Greg to join me for a ride to the mountains for the afternoon, and we found our spirits soaring from meeting a lovely young family so committed to spreading good cheer in Concordia and beyond. I trust you might join us in heading up to enjoy the fruits of their labor.

Nana Chon
Who is the alley named after? Quite an incredible woman, actually. You can see a statue of her in front of the town hall on the plaza. Incarnación (“Chon” for short) Valdez was the town midwife, a strong, wise woman who singlehandedly stood up to the French army. You see, the French had their eyes on the gold that came out of the mines in Concordia and Copala. The men and older boys of both towns banded together in an effort to defeat French colonization of this area. The women and children remained in town, unprotected. When the French army arrived, they herded the local population into the homes along this street and threatened to harm the women and children unless they told the army where the men and boys were. Nana Chon stood up to them, encouraging everyone to remain silent. Her bravado gave them hope. Fortunately, I am told, the women and children were not killed or harmed, the location where the men lay in wait for the army was kept secret, and the Sinaloans were able to defeat the French.

Concordia is an excellent day trip from Mazatlán, just one hour southeast. The church and plaza are gorgeous, El Granero restaurant is delicious and was very careful about observing sanitary protocols during the pandemic, and you’ll enjoy walking around the quaint streets and visiting with the friendly residents. Chema paints portraits and would welcome work for hire; you can contact him through his Facebook page.

Personal Invite to 2 Art Events

I hope you’ll join me for two events, both to be held a couple of blocks from one another in Centro Histórico on Friday, November 22nd.

Book ReadingThe first will be a reading from the book, Why We Left: An Anthology of American Women Expats. Edited by Janet Blaser—who will facilitate the event—the book is a terrific read for anyone thinking about life abroad or already living it. Local residents Susie Morgan, Nancy Seelye, Lisa Lankins and yours truly will be reading from our chapters.

Please join us at El Recreo, Constitución 209, from 3:00 – 5:00 pm on Friday Nov. 22, 2019 for the book event. The event requires registration, and will have a 50 peso or so fee to cover the venue rental.

Magic of Black and White

Then, have a nice dinner somewhere and join us again at 7:00 pm for the very first group art exhibit that I have curated! It will be a photo show entitled, The Magic of Black and White. If you click “Going” on the Facebook link, it will remind you so you don’t miss this terrific opening. Participating photographers include Alwin van der Heiden, Lucila Santiago, Marcopolo Amarillas, Christian Lizárraga, and yours truly.

The photo exhibit will open on Friday, Nov. 22, at 6:30 pm in Baupres Gallery, next to Casa Haas on Heriberto Frías, across from Hector’s. There will be wine and hors d’oeuvres. The show will continue every day through 21st December, 2019. I very much hope that I’ll see you and your friends there!

Please help me pass the word about both of these events. Be sure to put them in your calendar so you don’t miss out! They’ll both be a lot of fun, and you’ll be supporting and encouraging your creative neighbors and friends.

Symbols of the Spirit

Final Cover

Book Review—Symbols of the Spirit: A Meditative Journey Through Art
By Glen Rogers, ©2019 Luna Arte Contemporáneo
Paperback, 104 pages, US$30 or 500 pesos plus US$5 shipping from glen@glenrogersart.com

You will want to savor your time with this gorgeous volume created with love and wisdom by very talented printmaker, painter and sculptor, Glen Rogers. The book is filled with Glen’s beautiful artwork expertly laid out and printed in rich colors, accompanied by short text and guided meditation.

Glen’s work has long been grounded in archetypal imagery—metaphysical symbols from the collective unconscious. As a young feminist artist, Marija Gimbutas’ insights in The Language of the Goddess spurred Glen to walk in the footsteps of early goddess cultures. Over the next several decades Glen made spiritual and artistic pilgrimages to sacred sites around the world. On these journeys and in her art and life in between, Glen discovered and nurtured an internal resonance with sacred archetypal symbols, which then became a focus of her work. When she began authoring this latest volume, she set out to write a book about two of her favorite symbols: the bird and the lotus. Once she began, however, she quickly realized there were eight key symbols that appear again and again throughout her body of work.

In Symbols of the Spirit Glen writes a two-page essay on each of these eight symbols that have imbued such meaning and beauty into her art and daily life: the bird, circle, lotus, moon, seed, spiral, vessel and vesica piscis. She covers the symbols’ historic use and meaning as well as how they came to speak to her personally. Glen includes a short meditation or experiential activity inviting the reader to connect with the energetic properties of each of the symbols: to “experience it with your heart and allow the images to become part of your visual and spiritual vocabulary.” Click on any photo to enlarge it or view a slideshow.

 

The effect is one of pure joy and thoughtful contemplation. If you are looking for reading that nurtures the spirit, the heart, one’s creativity and authenticity, you will find it here. Merely touching the rich pages deepens and calms one’s breath. Keeping this book near you in your home or work space provides a quick escape from the harried world we live in.

Most Mazatlán residents have much to thank Glen for, including the First Friday Art Walks in Centro Histórico and the OMA Gallery at the airport. She owned Luna Art Gallery in Mazatlán, and currently splits her time between our city on the bay and San Miguel de Allende. Born in Mississippi, Glen holds an MFA from San Jose State University and has a long and esteemed art career. For decades she worked in public art and as a community leader. Glen has had solo exhibitions throughout the USA and Mexico plus several in Peru, and group exhibits on four continents.

Glen feels that these eight archetypal symbols offer a promise of healing and transformation, a spiritual and artistic anchor to the Sacred Feminine. She views the creation of art as meditation—a communing with a higher power. Working with ancient symbols provides a bridge to our ancestors and a heart connection to the past. Glen’s experience tells us that these symbols provide healing on a subconscious level, and that once we’ve healed ourselves we can heal the world, because archetypes allow us to go deeper inside to find new truths to the dilemmas we face individually and collectively. Do we really need reasons more powerful than these to invest our time and talent?

Glen’s record of giving back to the community and trying new things is evident in this book. Making such personal works available to everyone—artist and non-artist alike—allows us a peek into what pushes someone as amazingly talented as Glen, and in doing so inspires us to look inward as well. Meditating with Glen via these precious pages is a truly therapeutic endeavor.  Contact Glento start enjoying your copy.

“The man who speaks with primordial images speaks with a thousand tongues.”
—Carl Jung