Street Art Tour in Concordia

Happy Valentine’s Day, dear readers, Feliz Día del Amor y la Amistad. Thank you for being here. Thank you for being part of this community, for helping do good work here in Mazatlán, for enjoying the beauty and the people of our adopted city, for encouraging my photography and my writing.

Today I am joined in wishing you happiness by Chema—José Manuel Velarde Chávez, of Concordia; his wife Claudia Belén; and their son Angel Adán. Click on any photo to enlarge it or view a slideshow.

Chema is a graphic designer. By day he works in Mesillas on CAD programs on a computer, designing furniture and sizing parts so that the carpenters can do their magic. In the early mornings and evenings, however, Chema loves to draw and paint. He wakes up before dawn, turns on some music, and paints in his patio while the rest of the family slumbers.

A couple of years ago he decided he wanted to spruce up the street where he lives. His wife’s family owns most of the two block street, so he asked his in-laws for permission to paint murals on the alley walls.

The first mural he painted was on a door that no one uses anymore. He painted a charro or Mexican cowboy kissing a pretty lady in 2018. “Aw, you painted it for your wife,” I asked. Chuckling, he quickly caught on and said, “yes, yes, that’s right!”

In 2019 Chema added a catrina for Day of the Dead: she happily dances with the all-too-true caption, “In Mexico death is living culture.” This is a link to him painting the catrina.

After those two wall murals, Chema painted a window with some flower pots, then the wings that every town now seems to have to have for Instagram photo ops, his version of Frida (faceless, as he reminds me “her eyebrows are her distinctive trait”), and my personal favorite, a gorgeously colorful xolo or xoloitzcuintli dog, the intelligent, hairless pets of the Aztecs.

The family lives on the now very picturesque Callejón Nana Chon— Encarnación Valdéz Avenue, in this beautiful historic mining town called Concordia.

Chema tells me that he and Claudia have been pleasantly surprised at the response to his artwork, and the fact that it appears to be contagious. Residents of another nearby street have now painted and installed benches, and he’s thinking they are planning to paint murals as well. He hopes that the street art might provide another attraction for the busloads of tourists who visit here to tour the church and enjoy a raspado (shaved ice) in the plaza.

The couple and their family decorated the callejón or alleyway at Christmastime. Chema tells me that neighbors and townspeople came over to donate decorations they had to add to the display, so it became a real community effort. When we visited last week the alley was all decked out in Valentine’s finery. They even light it up at night for lovers to enjoy—evidently the callejón is known as lover’s lane! Soon they will be putting up superheroes in preparation for Día del Niño or Children’s Day.

The most challenging aspect of his voluntary beautification project? Finding the time to paint. He works 8-6 every day, till 1 on Saturdays. When he comes home he’s tired. In the winter the sun sets early, and he can’t paint in the dark. But he loves painting the murals in any spare time he can find, and Angel Adán loves watching him do it.

When we visited Chema had a Quetzalcoatl plumed serpent (which he’d drawn to resemble a dragon) ready to begin painting on Sunday. After that he hopes to paint a totem of the busts of three Aztec warriors: a jaguar, an eagle and a woman. I know I can’t wait to see either of these newest paintings! He is also planning a homage to Concordian musicians, including Greg’s favorite, Roberto Junior (“El Coco No”).

On Sundays Chema and his family open a “bazaar” or art market in the alleyway, where they sell handicrafts including painted roof tiles. He has painted since he was 15 years old; he loves it. As a young child he drew. He remembers his father loved to draw, and when he entered elementary school, his Dad bought him a set of colored pencils. It was his favorite gift ever.

I met Chema because my ahijado, Carlos, shared with me photos of Chema’s very colorful Mexican-themed street art, and I then got in touch with him in hopes of watching him paint. I invited Greg to join me for a ride to the mountains for the afternoon, and we found our spirits soaring from meeting a lovely young family so committed to spreading good cheer in Concordia and beyond. I trust you might join us in heading up to enjoy the fruits of their labor.

Nana Chon
Who is the alley named after? Quite an incredible woman, actually. You can see a statue of her in front of the town hall on the plaza. Incarnación (“Chon” for short) Valdez was the town midwife, a strong, wise woman who singlehandedly stood up to the French army. You see, the French had their eyes on the gold that came out of the mines in Concordia and Copala. The men and older boys of both towns banded together in an effort to defeat French colonization of this area. The women and children remained in town, unprotected. When the French army arrived, they herded the local population into the homes along this street and threatened to harm the women and children unless they told the army where the men and boys were. Nana Chon stood up to them, encouraging everyone to remain silent. Her bravado gave them hope. Fortunately, I am told, the women and children were not killed or harmed, the location where the men lay in wait for the army was kept secret, and the Sinaloans were able to defeat the French.

Concordia is an excellent day trip from Mazatlán, just one hour southeast. The church and plaza are gorgeous, El Granero restaurant is delicious and was very careful about observing sanitary protocols during the pandemic, and you’ll enjoy walking around the quaint streets and visiting with the friendly residents. Chema paints portraits and would welcome work for hire; you can contact him through his Facebook page.

Paris, Milan, New York… Mazatlán

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Thursday evening, 16 May, Olas Altas was transformed into a unique urban art scene, with laser lights, hip-hop dancers, flame jugglers and hula hoopers gyrating to the pulsating rhythms of techno music. The main event was an open-air fashion show with a runway that ran the entire length of Olas Altas from Puerto Viejo to the Shrimp Bucket! Click on any photo to enlarge it or view a slideshow.


The “Street Art Fashion Show” was a sight unlike anything Mazatlán has ever seen! Our traditional, iconic Hotel Belmar and La Fonda de Chalio glowed hip and happening as clients rejoiced at their free view of the 450 peso fundraising event. The aim of the evening was to raise money for DIF Mazatlán’s “Corazón Eterno,” an assistance home for elderly adults who have been abandoned by their families. Fashion designer Edgar Ponce originated the idea and brought it to fruition with the help of the municipality, local celebrities, fashionistas, chefs and altruists.


The event opened with a two-hour cocktail during sunset, with ceviches and other canapés provided by Agatha and Vittore restaurants. Golden hour glowed as waiters served both drinks and eats to those attending, who were seated on couches, easy chairs, bar-style tables and picnic-style tables along the malecón. The paparazzi had a field day following Mayor Luis Guillermo Benítez Torres; the President of DIF Mazatlán, Gabriela Peña Chico; Roberto Rodríguez Lizárraga, director general of DIF Mazatlán; and Marsol Quiñonez, new director of Cultura Mazatlán.


Promptly at 9:00 pm access was opened to the chair-lined runway area in the street—nearly everyone was able to have a front row seat! María Daniela and her Laser Sound—electronic dance music by DJ Emilio Acevedo and singer María Daniela Azpiazu—made a special appearance. Daniela appeared high up on the stage in front of Puerto Viejo, while Emilio worked his magic just beneath her. The models entered the runway from street level beneath both of them. Each model seemed to take to the runway several times, modeling at least two different outfits and showing them to us a couple of times each.


Over seventy of Ponce’s designs were showcased; runway models included Perla Beltrán—Nuestra Belleza México and Miss Mundo Top Model, and Aranza Molina, Reina Hispanoamericana 2018. The Queens of Carnaval and the Floral Games 2019, Karla Rivas y Yamileth Zataráin, were also present. The models first came out wearing sunglasses and huge smiles in bright red lipstick. As they changed the hip-hop dancers performed on the runway, before a second round of clothing was modeled.

Highlights of the show were a joyous young lady in a wheelchair and a beautiful young woman with Downs’ Syndrome, girlfriend of the young man sitting next to me. Amidst the evening’s thin and fair-skinned models, the public was overjoyed to welcome a bit of reality to the catwalk. While I don’t know Edgar, my guess is this may be his first major fashion event, though I was told he’s designed Carnaval gowns. We enjoyed his designs, and it was a terrific event; this guy has a future!


The Street Fashion Show generated 200,000 pesos for the aged care facility, and concluded with a fireworks show after Edgar walked the runway. I would estimate that about 500 people attended the event. There was room for many, many more; nearly a third of the seats remained empty, as the event sadly seemed quite poorly publicized.

 

Día de la Música 2013

Day of the Music is among our favorite annual events here in Mazatlán. The city sets up stages at various locations downtown, all within a few blocks of each other. The twenty performers rotate on the hour most of the night, beginning at 7:00 pm, and each stage has a theme. There is also always a visual and street arts corner, which was in a new location this year but just as much fun. In 2011 we made our first video about Day of the Music, and below is a video of this year. I hope you’ll enjoy it! Please let me know what you think.


Saturday was a gorgeous evening, as usual. Starting in daylight and quickly moving into and past sunset, the moon hung hugely over this year’s festivities. Weather was warm and comfy with a wonderful ocean breeze. There was a huge variety of music, and we met at least 30 friends as we walked and danced around. It’s such a joy to be able to see people from all walks of life, coming out with their families to enjoy this community event each year. Mouse over any photo to view the caption, click on it to enlarge or view a slideshow.

This year the themes and performers on the five stages were:

Escenario Machado (in the Plazuela)

  • Guillermo Sarabia Chorus
  • B. Smith’s Hot Jazz (Dixieland, from Culiacán)
  • Camerata Mazatlán and the Folkloric Ballet
  • Ikloo (60s classic rock)
  • Continentalísimo Mariachi Show

Escenario Fusión (Calle Venus between Sixto Osuna and Constitución)

  • Jazz Plasma
  • Honest Jon and the Truth
  • Daniel San Project
  • Lori Davidson and Rob Lamonica

Banda y Tropical (on the malecón at the end of Calle Constitución)

  • Percussion Ensemble
  • Banda La Mazatleca (played for two hours; we are the birthplace of banda, after all!)
  • La Falsa Orquesta Cubana (my personal favorite)

Escenario del Recuerdo (in front of the Art Museum)

  • Trova Cardio
  • Malamecha, Boleros and Cantantes (Municipal School of the Arts group)
  • Grupo con Cuerdas (strings playing popular music)
  • Angela Peralta Chorus (non-professional community chorus)

Rock y Tendencias (Calle Niños Heroes and Constitución)

  • Haiku (from Escuinapa)
  • Los Insane
  • Lady Munster (from Los Mochis)
  • The Oaths

LIVE VISUAL ART: A La Vuelta de Venus

  • Dhear
  • Beo Hake (from Monterrey)
  • Yurex Omazkin (from Mexico City)
  • Watchavato (from Culiacán)
  • Smithe (from Mexico City)
  • Bacse
  • Tony Delfino
  • Buque
  • Wank
  • AskoAbsurdo
  • Cusehr

Thank you, Mazatlán and CULTURA! This is a terrific event, so very pleasurable, a true gift for all Mazatlecos and those who are visiting!

A couple of things we noticed this year, that might make a difference going forward. The first is to ensure that the stages themselves don’t block the walking access between venues. If they must, please put up signage that directs people to the correct walking route. Many elderly attend this event, and to see them having to retrace their steps or go around, some in wheel chairs and scooters, was sad. Secondly, this year it seemed the theme of a couple of the stages changed more than in years past. Perhaps this was purposeful, to help ensure that people would move around? If so it definitely accomplished that purpose, creating more movement than is customary, as people who love classical would hightail it out of the vicinity as jazz came on, or people who love popular music became disappointed as a chorus took the stage. A bit more consistency of style on each stage seems to us to make for a cozier and more enjoyable evening. But, these are both incredibly minor, considering the overall quality and pleasure of this terrific event.