THANK YOU, Raul and team!!!!

DSC_9455Those of us living in Mazatlán are incredibly blessed to have had the past seven years straight with our outgoing Cultura (Instituto de Cultura, Turismo y Arte de Mazatlán) team. Tuesday night in the brand-new Sister Cities Park was a very fitting send-off for this enormously talented and dedicated team of world-class professionals. While they thanked Mazatlán, hundreds of mazatlecos attended to give them at least three standing ovations. While I am hopeful the incoming crew will step up and shine, I can honestly say I am in mourning thinking that the people I so value and esteem at Cultura are leaving. Insert a big sob here.

Pasión por la Música was a musical and pyrotechnic extravaganza that included live music from the Camerata Mazatlán, Pércival Álvarez conducting, and the Angela Peralta Chorus, who performed a selection of pop, classical and rock music choreographed to a multimedia show (Karla you are amazing), laser lights (David Olvera) and incredible fireworks (Jorge Márquez, who has done Combate Naval in recent years). Raul Rico, who has led our public arts scene for nearly three decades—as director of Codetur, Cultura, and various other arts and cultural institutions, with a few brief breaks during administration changes—directed festivities from the center of the park, surrounded by those working the sound and light boards. Seated at tables in the background with wait service were the VIPs attending the current international tourism fair, including Governor Quirino.

Carnavál is what it is today because of Raul Rico. He got involved in it in 1975 and has pretty much been in charge of it since 1987 (a few breaks with political shifts). He is Mazatlán’s own maestro de la alegría, master of joy. His goal has always been to grow the public, to bring arts and culture to the schools, to history, to people’s homes and hearts. And that he has done incredibly well. Under his leadership, Cultura events have grown to cover everything from opera and ballet to bandanorteña and folkloric dancing, art shows to book readings. Cultura puts on our annual Day of the Dead as well as Day of the Music festivities, the various cultural festivals, and so much more. Adults and children alike enjoy the performances, which take place in our gorgeous Angela Peralta Theater, Casa Haas, as well as in public parks, plazas, orphanages, libraries, or walking through the streets, downtown and in the farthest, poorest colonia. There is such a wealth of programming offered that no one person could possibly attend everything. Rico promises us he will remain actively involved in the arts and culture scene here in town; he will receive a pension for his over 25 years of service.

Cultura’s final administrative meeting reported that the current team is leaving 7.8 million pesos behind, 5.8 million earmarked for equipment for the Angela Peralta theater, including an LED screen, lighting console, firefighting equipment, interior communication and air conditioning for the galleries, and the rest to cover taxes and Institute operation for the next few months. The report details over 16 million pesos of investment into the theater under Raul’s leadership, and 900,000 pesos in instruments for the camerata. Last year they were responsible for 16 separate activities within the Tianguis Turístico, the national tourism fair, which dazzled the country and our international visitors.

The new city administration takes over November 1st. Incoming mayor is Luis Guillermo Benítez Torres (El Químico), a member of AMLO’s Morena party looking to transform this country. He has named Mazatlán-born movie director Oscar Blancarte as the new Director of Cultura. I very much hope he will bring new life and vision to our arts scene, building on what we already have. Blancarte has publicly said that he wants to make Cultura more inclusive, more participatory, and closer to the artists, building on the work Rico and team have conducted, and that he will take a three-year break from his film career to head the organization here.

Thursday November 1, 6:00 pm in the Plaza República, our new mayor and his cabinet will be presented. Entertainment for the party will be provided by Jesús Monárrez and the Camerata de Mazatlán; my favorite, La Falsa Orquesta Cubana; and the Ballet de Danza de Ángel Rivera.

The callejoneada or parade for Day of the Dead will take place on November 2nd this year, due to the changeover in city administration.

 

More than a World-Class Stadium

DSC_8345The new baseball stadium for our nine-time-series-champion Venados is advertised to be the best in all of México, and for once those superlative claims appear true. The architecture is stunning, the remodel retains iconic elements of the historic stadium around which it is built (weird-shaped historic columns, for example) and it increases seating to 16,000. We will now have:

  • 38 luxurious suites with indoor, air-conditioned seating as well as outdoor seating for 15 people.
  • 550 palcosor box seats, and a private VIP entrance and bar for them and the suites.
  • Two restaurants—El Muchacho Alegre and La Cantinetta.
  • Several food concessions including Water’s Edge and Surf’s Up.
  • Large bathrooms for both genders on each level!!
  • A seating area where vendors will speak English, to make this incredible cultural experience easier and more enjoyable for tourists and “polar bears” (“snow birds” as translated from Spanish).
  • A retro-sounding Venados Booster Club from which you can buy tickets in English.
  • Much improved locker rooms/clubhouse, umpire and training rooms and physical therapy facilities.
  • A media facility up top.
  • Pacífico beer is still a huge sponsor of the Venados, so Estadio Teodoro Mariscalcontinues the tradition as a Pacífico-only venue.

The stadium will glisten as an anchor to the remodeled Parque Central. It is envisioned to host not only the baseball season but other cultural and musical events, including, of course, our traditional and world class Carnavál coronations. The views from the stadium, both inside—of the field, and outwards—of the city, are fantastic! The only glaring problem is that they still have not solved the parking. Click on any photo to enlarge it or view a slideshow.

The 2018-19 baseball season opened on Sunday October 14, and I was ready with my camera for what I was confident would be a spectacular fireworks show. My gut instinct proved true: these were fireworks as Mazatlán has never before seen over a stadium! They were flawlessly choreographed to music by Mazatlán’s own Arte Pirotecnia, and the show mesmerized everyone who saw it. The only issue photographically was that so many fireworks went off at once that it was difficult to capture the spectacle AND not burn out the photo!

Thanks to these photos I met Isaac Urquijo, Director of Sales and Marketing for the Venados, with whom I recently toured the new stadium. Isaac is a young mazatleco who left town to obtain his degree, going on to work for large multinationals around the country. Lucky for us, after 11 years out of town he was recruited a year ago to return for his dream job. Isaac is a fireball of energy and ideas with degrees in both accounting and marketing, and he speaks excellent English.

During our tour I very much enjoyed watching one of those gorgeous white steel arches go up and get welded in. Isaac told me that when the first arch was placed, two construction workers hung from it in order to weld it on! How I would have loved to get a photo of that! I was fascinated with the guts of these welders, dangling as they do high above ground.

The Presidential Suite is also most impressive. It has a kitchen and bar, dining table and chairs, and living room with flat screen, plus outdoor seating. The normal suites seem like a good deal to me. They cost 240,000 pesos for the season and seat 15 people. Palco or box seats are 10,400 for the season.

Once all the arches are up, the covers will be put in place. With the covers in place, much needed shade will be provided to box seats and others as well. Below is a video of the full design. Note that there have been many changes since the initial plans, including that there will be no water feature at the main entrance.

Governor Quirino’s father was in office when the original stadium was built, so he has had a special interest in seeing this remodel through. The stadium is owned by the municipality of Mazatlán, and reconstruction was financed primarily with state funds in the amount of 416 million pesos. The current remodel began on July 14, 2017. It was designed by Raúl Peña, an architect in Mexico City, and is being built by Dynfra. based in Guadalajara. This is the third stadium they’ve built for the league, after Hermosillo and Culiacán, and after watching it every day and hearing its progress all night every night, their work ethic is amazing.

The Venados’ concession for the stadium was renewed in September of this year through 2045, for an investment of 80 million pesos and 8% of the proceeds from each game. Isaac tells me that the official inauguration of the new stadium is planned for the first part of December.

The entire Venados organization, or, rather, it’s parent company, Espectáculos Costa del Pacífico—owned by the Toledo family (95%) and Ismael Barros (5%)—is on fire these days. The Venados in recent memory have had a leadership triumvirate: Ismael Barros, President; Chino Valdéz, sports manager, and Juan José Pacho, team manager. Under their leadership the Venados twice won the Caribbean Series, in 2005 and again in 2016. Barros left, however, to assume the position of city treasurer, and the Venados organization in January 2017 named a new President: 35-year old José Antonio Toledo Pinto. He is the youngest President of a Mexican baseball team, and his energy and enthusiasm seem to be transforming the entire organization. City administration ends the 31st of this month, October 2018. I am told José Antonio will remain in place, but we’ll see.

While in season the Venados organization employs 400 people, normally during the off-season they’ve had 20. This year they’ve increased that number to 80. They’ve hired an office full of young and enthusiastic creative staff who released a brand-new, hotly-debated Venados logo. The organization has opened five new Venados stores (increasing the number from three to eight) and is merchandising a stylish clothing line. They are adding a public gym (Rock Gym), a mini market, a barbershop and three Starbucks outlets to the stadium, in addition to other businesses. There are long-term plans to build a business hotel behind the big screen. The hotel would house out-of-town players in season and serve business travelers the rest of the year.

The Venados are aiming to become a much more inclusive, accessible organization, out of gratitude to their fans’ enthusiasm. Isaac told me that this year 40 pesos gets you a bleacher seat and a beer, plus full access to walk around the entire stadium. What a deal! With dancers, people on stilts and live music playing in the hallways as well as in the stadium, our local baseball games are a terrific, family-oriented party.

There are of course many aficionados who know the roster and focus on the game, but we also have a huge group of fans who attend for the party: to drink beer, listen to music, visit with friends, and, oh yes, watch a few plays. It’s quite amusing if you follow the Venados on social media. They have asked fans, “how many outs are in an inning?” and a fan answered “five;” or “how many players are on the field?” with a reply of “four.” But they do know the price of beer and all the special promotions! A professional game here is a different animal than a Major League game up north, more affordable, more of a full sensory experience, more like a Minor League game, perhaps. Isaac says he wants it to be like “Disneyland with a beer.”

The Venados don’t own players, for example; they borrow them from the Mexican summer leagues and the Major Leagues up north. Thus, there is a lot of fluidity on the roster from one season to the next. This season, however, the Venados have recruited several young, healthy, talented players who they hope to retain for a good five to ten years, to provide continuity for the crowd and the franchise. The season here is three months long, four if we go to the playoffs. Since there are twelve months in a year, the organization looks to find additional uses for this gorgeous new stadium.

Most interesting to me, they are branching out from baseball to become a true sporting franchise. They purchased a professional basketball team back in 2014 (Los Nauticos) that have played in the Multiple-use Center (Centro de Usos Multiples or CUM) since 2016—that gorgeous new sports arena in the marina that no one really uses. The Venados also support volleyball, boxing, and of course our internationally recognized annual marathon and triathlon. Their goal, as Isaac told me, is to support local athletes and entertain the local community.

They run academies or training camps for kids in the various sports. According to Isaac, a young baseball player here in Mazatlán is “owned” by the league in which he plays; the league controls contract negotiations and makes decisions if one of their players is recruited professionally. In fact, the control over the kids and their future earnings has been such an issue, that Major League Baseball recently took action and has banned MLB teams from recruiting from the Mexican League (LMB).

The Venados’ goal is to help players develop skill and experience while staying free agents. The same is true for boxing. The baseball academiaruns Mondays-Fridays, 4-8 pm ten months of the year; the 200 kids who are enrolled are coached by the Venados’ manager himself, Juan José Pacho. The academias are not profit centers but, rather, social service endeavors, though those attending do pay nominal fees. Isaac reports that there are similar plans for academías of boxing, basketball and volleyball. They are even planning to hold a golf tournament this December at Marina Mazatlán; Venados players and managers will play alongside the experienced golfers.

I was curious about how a pro baseball team here makes its money. Isaac told me that 55% of its income is from sponsors, 35% from box office and season ticket holders (Socios Venados), and beer income makes up the rest. If they sell 3000 tickets for a game with sponsorships in place they break even, and this season—other than the hugely attended inauguration—they’ve averaged 6500 people per game. In-season salaries total 6 million pesos/month.

The Venados organization engages in quite a bit of social outreach. They support the Red Cross and give away season tickets to families in need. You may have heard about the Venados Booster Club, with its aim to act as liaison with foreign visitors and help two local charities: Refugio Mazatlán and Amigos de los Animales. Simon Lynds helped the organization conduct a survey, and they found that many foreigners complain about dirty bathrooms and say they don’t speak Spanish so have a hard time buying tickets. The bathroom situation will be hugely improved with the new stadium, and the English-speaking section and Booster Club will remedy the English-language concerns. On November 24th they are planning a special invitational event for Booster Club members, with the charities and some franchise players.

Who was Teodoro Mariscal, the namesake of the stadium? He was a Mazatlecan businessman who campaigned long and hard for a new baseball stadium here in the 1940s. Our original stadium had been destroyed, and he assumed leadership of the “Committee for a Stadium in Mazatlán. When our current stadium was dedicated for the 1962-63 season, it was decided to name the space in his honor. The stadium remained largely unchanged over the decades, though it was modified several times, most thoroughly in 2000.

You may be wondering about our favorite Venados event of the year, Banda Baseball. This is an annual charity fundraiser, in which popular banda members play one another. Greg and I absolutely love it, and it hasn’t taken place this year due to the stadium reconstruction. Isaac assured me the season would not end without doing it. Fingers crossed…

You can buy your tickets online if you wish. Wednesday night, the 31st, they are urging the crowd to dress in Halloween costume. There is also a Venados app for your phone. You can watch the games live online, too. But, hey, what fun is that? The thrill is experiencing the cacophony of the crowd. A Venados baseball game has so much going on you don’t know where to look first!

Festival of Lights 2018

DSC_0726©You know I love fireworks, and my favorites of the year here in Mazatlán tend to be the Festival de la Luz, because TEN THOUSAND fireworks are launched 300 meters into the air from FIFTEEN locations over FOUR KILOMETERS along the malecón, lighting up the city’s boardwalk. These fireworks normally take place during Maratón del Pacífico, but they were delayed this year. This tenth annual event included 2-1/2 TONS of 20 different kinds of fireworks at a cost of 1,300,000 pesos, and lasted a full thirty minutes. Click on any photo to enlarge it or view a slideshow.

This year was a challenge photographically. High tide during launch meant the beach was off limits. Brisk wind meant that shooting from the south was out of the question—that is where the smoke headed. So, I set up north of the viewing area, which was less than ideal for a good view.

I was blessed to be joined by a good friend and three visiting Colombian artists, so we enjoyed a good time. I set up both my cameras, though my intervalometer decided not to work, so having two cameras made for a busy viewing. I won’t be repeating that anytime soon.

I trust you were able to enjoy the show. Many, many thanks to José Ramón Manguart Sánchez, Tres Islas Hotel Association, Secretaria de Turismo Sinaloa, and the municipal authorities!

 

 

 

Blessings in the New Year!

We had a hard time deciding what to do for New Year’s this year. We’ve done the Machado a few times; it’s great, but the music is too loud for Greg’s ears and there are not great fireworks there. We’ve done the dinner and dancing at a hotel or restaurant; also a lot of fun, but we were feeling more casual this year. Friends kindly and generously invited us to their homes, but we needed something more simple yet memorable and special. We wanted time to reflect, as well as to hope, to celebrate what we loved about 2017 and to let go of and learn from what we didn’t. We all agreed the total solar eclipse was the highlight of the year.

Greg and I planned a romantic picnic, with a citrus salad, jamón ibérico, smoked salmon and champagne, on the beach in the Golden Zone so we could watch the myriad fireworks displays. The best New Year’s gift EVER was that Danny decided to forego his invitations as well, and spend NYE with his parents! We were psyched! God bless the 22 year old! It was the perfect night for us: live music from the Hotel Playa, good food and drink, and incredible fireworks—with views from the Golden Zone to Olas Altas. There were at least ten different sets of professional fireworks we watched, and loads of those launched by families and groups of friends. The beach rocked. Click on any photo to enlarge it or view a slideshow.

We trust your celebrations have been wonderful, and that 2018 will bring Mazatlán, and you and yours, peace, joy and prosperity. Thank you, Lord, for a year of health and joy, much travel and new adventures. Please help Danny in his upcoming, hopefully last semester of university, and in his job quest. May Greg run fast and far, and may my health, and my photography, get stronger and stronger.

Bless you all!

Carnavál Fireworks: Behind the Scenes

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Mike Toth on the right, our connection Ted Allen on the left

I just love how social media and blogging work. Somebody commented on one of my photos of this year’s spectacular Combate Naval fireworks, saying, “My friend is down here from Canada helping with the show.” Really? How cool is that?! So I wrote back, “Please introduce us, and I’ll interview the person.”

Turns out that  Mazatlán’s annual fireworks show, put on when Raúl Rico is head of CULTURA by Lux Pirotecnia (Jorge Márquez) of Mexico City, involves not only Canadians but a German expert as well. Want to know the story?

Mike Toth, the gentleman I interviewed, works for Big Bang Fireworks out of Calgary, one of Canada’s top five fireworks outfits, owned by Dan Roy. Mike’s pyrotechnic journey started out like many of us; he lit off backyard fireworks that gradually gained in size and grandeur. Eventually he had to take a one-day safety course and become licensed. That was ten years ago, and he’s been learning on the job ever since. In Canada his fireworks job is pretty much May through September, plus Christmas and New Year’s.

He tells me the crew here are like brothers to him; they have a whole lot of fun together. They stay in touch throughout the year on WhatsApp and Facebook, despite huge language and culture differences. Two of the crew, Mauricio and Ramses, speak English (as do the three team leads), but most do not. Rodrigo comes from Durango: he’s a cowboy through and through, and César is evidently quite the comedian. Mike shared a few snapshots of his visit with me, below. Click on any photo to enlarge it or view a slideshow.

Mike’s technically not down here in Mazatlán working, but rather on vacation—hanging out with the pyrotechnists who are. But he did bring down with him a bunch of equipment: $40,000 worth, more or less. He brought seven panels and even some modules. Why? Well, fireworks equipment is expensive, especially the computerized kind that syncs music and explosions. Thus, Lux and Big Bang often collaborate in order to pool their resources and put on bigger and better shows.

Jorge (Lux) and Dan (Big Bang) are good friends; Jorge’s equipment often helps out during Canada Day (when Big Bang might have 30-40 shows in one day) or Edmonton Klondike Days (10 straight days of fireworks), and Dan’s equipment supplements shows in México during events on Constitution Day, Independence Day and Carnaval. I love fireworks, I’m all about collaboration, and this story is intercultural, so I find this trifecta of my passions very cool!

dsc_0211How does a fireworks show—our Combate Naval, for example—come to be? Jorge designs the show and its accompanying music and scripts it on paper, indicating the type and size of each firework, it’s color combination and time delay. I’m sure CULTURA is involved in some way at the design phase, too, though of course Mike doesn’t know about that. The shells are fixed into a string of ten or so and then put carefully into mortar tubes. There is no wasted space. Inside is an electric match; when the button is pressed, it launches.

Lux Pirotecnia is responsible for four major shows during Carnavál: the three coronations in the stadium, and the Combate Naval on Saturday night. I forgot to ask Mike about the crowning of the King of Joy. The fireworks are stored on a rancho just north of town.

Combate Naval 2017, for the first time ever, involved five barges; this allowed us to see the fireworks closer than we would if shooting exclusively from a ship in the bay. To me it was a HUGE improvement in the show! Unfortunately, however, one barge flipped over before the show due to the heavy waves. We ended up seeing fireworks from four barges or platforms. The barges are first put into position, then the pyrotechnicians go out in small boats to wire them up and turn them on. There was also a ship out there—yes, a real ship. Mike tells me they set up what looked like a helicopter landing platform on the deck of the ship, and from there the fireworks are launched. The capsized barge was rescued after the show, though of course the fireworks were ruined.

Wide-angle shot of Combate Naval

Wide-angle shot of Combate Naval

The main fireworks panel is just above where the Queen and the VIPs sit: at the Pedro Infante statue. All the music is precisely choreographed to each burst of the show, as we all know and so thoroughly enjoy each year—it’s computerization converting gunpowder into beauty for all our enjoyment.

Just how many people are involved in Mazatlán’s Carnavál-related fireworks? There are the three bosses: Jorge, Juan and David, from Lux. There are ten shell crew members, and ten one-shot crew members. There are also three drivers: two trucks and one van. I get a total of 26 fireworks technicians involved in Carnavál. How much does such a show cost? Again, Mike doesn’t get involved in that, and he can only quote Canadian pricing, which averages $1000/minute.

And where does the German connection come in? That would be Klaus Ulrich, the flame expert. If you attended any of the coronations in the stadium, you felt the heat as the  flames reached from the front of the stage towards the sky. That was Klaus’ work. We also experienced the heat of Klaus’ flames from the barges in the bay during Combate Naval.

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Innovative round or wheel-shaped fireworks: crane wheels, with some of Klaus’ flames coming off two of the barges in the bay.

While I love my photos of multiple bursts at once—sort of the panoramic view, Mike’s favorite photo of mine, he says, is that of the crane wheels. Crane wheels? He explained to me the names for some of the effects that we saw in Mazatlán during Carnavál 2017:

  • The most common fireworks effects are often called by flower names, just as they are in the original Chinese and Japanese:
    • Peony (most common)
    • Chrysanthemum (peony with a spark trail)
    • Dahlia (peony with fewer and larger stars)
  • There are also a couple of effects named after trees, including:
    • Palm: Rising tail that bursts at the top with large tendrils.
    • Weeping willow: long-burning stars in a dome-shaped, weeping willow-like arrangement.
  • Aquatics: fireworks that fly into the water and then blow up. Mike says everyone has them. Jorge’s are 8-inch Kamuro shells: a dense burst of silver or gold stars that leave a glitter trail.
  • Camaros: double dome-shaped weeping willow with twinkles that fall to the water or ground.
  • Crane wheels: a one-shot wheel that can shoot sunbursts or a wheel shape. About one meter round, clamps to a plate. One set of fireworks is set at an angle to rotate the wheel, the others are set for the display.
  • Fountains or Gerbs: a thick-walled tube with a narrowing in the tube that produces a long-lasting jet of sparks. We saw these in the stadium and during the Combate Naval.
  • Horsetails: heavy long-burning fireworks in the shape of a horse tail that only travel a short distance from the shell burst before free-falling as glitter to the ground. They’re also known as a waterfall shell.

    Horsetails over Mazatlán

    Horsetails over Mazatlán

  • Rings: launch into the sky and burst into circles, smiley faces, hearts, clovers…
  • Roman candles: long tubes containing several large stars which fire at regular intervals. This Carnavál they used roman candles up to 4 feet tall anchored to a wooden frame, mostly arranged in fan or crisscross shapes, at close proximity to the audience. We see these on the beach during Combate Naval, and also during the coronations.
  • UFOs: one of my favorites of Combate Naval, the best way I can describe it is a spinning top that launches into the air, leaving a twirling vertical tail. Ours then burst at the top to result in a palm tree-like shape. Mike says that in Canada they usually use a round plastic frame, but here in México it’s bamboo. Bravo for México! Our UFOs had 4 herbs to push up and 4 to rotate.

    Slowly rising fireworks that felt magical and looked like palm trees: UFOs

    Slowly rising fireworks that felt magical and looked like palm trees: UFOs

Below I share some of the terms Mike used during the course of our interview, in case you like getting inside the world of a pyrotechnist as much as I do.

  • One-shot tubes: just like the name sounds.
  • Cake: multiple tubes connected by a fuse. When connected they look like a box.
  • Shells or mortars: during Carnavál we saw 3 to 8 inch shells. They are round and look like bombs, which is probably why, in Spanish, they are called “bombas.”
  • Racks: stands that hold multiple fireworks tubes. These include:
    • Flat racks
    • Half moon racks
  • Panels: the computerized panel of buttons that controls the show.

He explained to me that a firework has a lift charge. The fuse wraps around a ball, and a couple of sticks are timed as fuses. That’s how they set timings. The pyrotechnicians can then launch a firework, it goes into the air with the lift charge, and in four seconds, or six, at the height of its trajectory, the secondary fuse sticks will fire and the effect will explode.

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We all know that here in México people build fireworks. They do so in the USA also. But Mike told me that in Canada it’s against the law to build fireworks! The country’s last firework maker was Hands Company. One of Mike’s dreams is to work in Lux’s shop in Mexico City for a few weeks, so he can have the experience of building fireworks.

Another huge difference that stands out for Mike is, of course, safety. The hand-held bottle rockets that lead every parade in Mazatlán would never be permitted up north, nor would allowing people to sit so closely to the fireworks. He was amazed that people hang their legs off the malecón during the Combate Naval, for example, and loved hearing that people here consider ash burn lucky, just like bird poop. In Canada to launch fireworks you need insurance and permits (which I believe you need here in México as well, at least for the large ones), you have to launch on private property, and you can not shoot fireworks near a lake or river because it upsets the fish. I know fireworks are environmentally hazardous, but they definitely light up my soul.

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July 3, 2016 on the Lake Michigan waterfront in Milwaukee

We love Juan José Ruiz of Mazatlán Fireworks, our local expert. He and his guys put on a beautiful 45-minute show for our wedding anniversary party that thrilled all the kids who got to push the buttons on the panel. Juan José tells me that his firm has often done Carnavál Fireworks, also, but that he tends to be asked to do them when the PRI is in charge of the government.

I got hooked on fireworks as a child in Wisconsin, and deepened my love for them living for over a decade in Japan. Mike told me about a couple of fireworks competitions that I need to add to my bucket list, including GlobalFest in Calgary and Montreal’s L’International des Feux Loto-Québec, the world’s biggest fireworks festival. During my research I also found the Tianguis de Pirotecnia San Pablito Tultepec, which is coming up March 4-11 right here in México—we all remember seeing video of the huge explosion in a warehouse there last December. Frequent winners of the international competitions are, of course, Disney, and also Zambelli Fireworks out of Pennsylvania.

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Fireworks over Lake Tichigan, Wisconsin, July 2, 2016

Next time you attend a fireworks show, stop and think about all of the people, time, preparation and work involved in delivering the performance you are enjoying. You just might find yourself appreciating the spectacle even more!