Are We Blessed or What?

12650991_10208208775554212_2260076847104623997_nWhat an honor to go to the Temporada Gordon Campbell concert today with my friend Jessica, who is a total groupie of Maestro Cambell’s. She was beyond thrilled when I introduced them, she couldn’t believe she actually got to have a conversation with him, and then—the cherry on top of everything—she got to get a picture with the Maestro! It is such a complete pleasure when we are able to bring joy to our friends’ lives. Especially, perhaps, when it’s something simple, as we all know that the Maestro is very down-to-earth, approachable, and so very passionate and committed to his audience.

Last season we published a series called “Behind the Chamber,” in which we conducted interviews with the Maestro and his wife, Guianeya Román. I was so very happy to have Gordon tell me that Daniela Liebman, the then-12-year old piano sensation, had been able to obtain first-class representation in part due to the article we wrote about her. Love it when good things go around and come around!

This season’s line up is also magnificent. I don’t know where Gordon gets his incredible creativity from, but the ideas just seem to flow from him. The season is already half over, so be sure to get your tickets now for the remainder of the schedule. The season resumes after Carnavál, on Valentine’s Day, February 14th.

The “Gordon Campbell Season” is a series of six concerts on Sundays at noon. As the program always takes place during Carnavál, there is one concert that is held in Casa Haas instead of in the Angela Peralta theater. Due to the smaller size of the venue, two showings are scheduled that week, at noon and again at five.

Today was that concert, and it was completely sold out, standing room only. And my oh my was the music good! Performers were Cuarteto Ventura from Culiacán, and to say they played Mexican boleros is a huge understatement. Their classical guitars (including a small one called requinto), congas and incredible harmonies resurrected the original arrangements of music from the Golden Age of Mexican cinema—that era of bad movies and wonderful songs. During the set they also played one Cuban son, and, after the standing ovation, they played a ranchero as an encore. Other than that, the event dripped romanticism as you’ve rarely heard it. We so very much enjoyed ourselves! I kept both the official program list of the songs they intended to play, and the list of the songs they actually played, and I’m planning to put together an online playlist of this gems of Mexican romantic music.

Click on any photo below to view it larger or see a slideshow. My apologies, but I only took my cell phone this time. People recently get very cranky when I take a camera to an event; a bit of NOB mentality impinging itself in our paradise…

Last week’s concert was also incredibly cool. Tiempos Pasados, an antique music ensemble from Guanajuato, performed using instruments that were breathtakingly gorgeous works of art mostly handmade by the group’s Artistic Director, Armando Ávila, who played a different instrument for nearly every song the group played. He is an incredibly talented gentleman—a physicist, instrument maker and musician! Lord knows what else he does in his spare time.

The last three events of this season look to be outstanding as usual. I love how Gordon speaks in both Spanish and English, educating us to the things we might miss without his narration. His rapport with the musicians, and the ear he has for bringing to Mazatlán unique events, are a true gift to our city. Be sure to get tickets (at any Angela Peralta outlet—theater or Rico’s Café) and take advantage!

 

La Traviata

 

DSCN0092©You know how grateful I am for the terrific arts scene we have here in Mazatlán. Our neighbor, Enrique Patrón de Rueda, is one of the people who makes our city so incredibly, artfully awesome. Last night, his niece starred in La Traviata. My heart didn’t stop beating for a good two hours after the show finished. It was INCREDIBLE! Click on any image to view it larger or peruse a slideshow.

To think that we have 500,000 people in this small city, and our talented arts school is able to put together singers and musicians of this caliber, and that we can afford to attend… I am so thankful.

The theater was packed to the gills; all three levels of the balcony and the orchestra seats were filled.

Bravo, everyone! Thank you so much!

Día de Muertos in the TAP

One of the main catrinas, my friend Lilzy and me

One of the main catrinas, my friend Lilzy and me

Regular readers of this blog know that Day of the Dead in Mazatlán for us closely rivals our port’s ultimate party, Carnavál. And that is saying A LOT! So much so that, this year, I willingly woke up at TWO A.M. (!) in Seattle in order to get the earliest flight back to Mazatlán in order to attend our traditional callejoneada—CULTURA moved the event up one day to avoid the overtime hassles of having people work on Sunday. I got home just in time to welcome two of my girlfriends, Jessica and Lilzy, for a makeup party prior to the evening’s events.

Walking with the two gorgeous main catrinas to escort the dearly departed from their altars around El Centro to the ever-after was wonderful as usual! This year the donkey-drawn beer carts were replaced with motor-driven versions (two donkeys did head up the parade), at least four bandas took part, and there were hundreds of people who made the effort to paint their faces and dress the part of calacas and catrinas.

Below is footage from 2012’s alley parade, or click here to view a photo album of this year’s callejoneada.

Very exciting to me this year was that for the first time ever—I’ve stood in line for hours in previous years, to no avail—we were able to get tickets to the events in the Angela Peralta Theater. I have heard how awesome that event is, but we were never lucky enough to make it to the front of the ticket line. And, yes, many of you ask us why CULTURA doesn’t give us tickets, since we promote them so much. But, they don’t.

Even though I was out of town working, my wonderful husband Greg stood in line and scored us a pair of tickets! Then my good friend Jessica gifted us with two more, so a couple of friends could join us. After standing in line for the tickets, gentlemanly Greg didn’t even go in, but let the women have the opportunity!

The theme this year was Mictlán, honoring pre-hispanic Mexico. Entering the theater the very first act was a tribute to the Aztecs. Going on to the stage we saw two large dance performances: one looking out to the theater (in the seats) and another looking in towards the back of the stage (a wedding). All were gorgeous.

Walking through the hallways and stairways inside the theater was a bit like a spook house, but emerging out onto the upper deck some calacas were playing classical music and singing opera, and below was an aerial dancer wowing the crowd. Throughout the theater were located multiple altars honoring the dearly departed, and multiple dance and visual art installations.

Click on any photo below to enlarge it or view a slideshow.

Both Carnavál and Day of the Dead show just how strong our local arts community is. Young people practice for weeks to prepare for these big events, and hundreds of people dress up, make up, and bring their families and friends to participate in the events. We are so blessed here with every type of musician, singer and dancer, from classical to banda, as well as to artists of every form of visual and performing art. Many thanks to Cecilia Sanchez Duarte, who devotes the major part of three months to making events in the theater come to life, and to all the makeup artists, costume and set designers who contribute their skills as well! Such a terrific event, and the tickets are free! If, of course, you can get them!

The last two days have been family time, with altars at home to reflect on those we’ve loved and lost, visits to the cemetery, and raising a glass and a song to celebrate their lives. Day of the Dead is, indeed, yet one more of Mexico’s great contributions to our planet. I trust you’ve enjoyed the long weekend and used the opportunity of the holiday to connect with family and friends!

Day of the Dead Makeup Class

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My cousins Lori and Mary, and yours truly. I asked my friend Lilzy, who did my makeup, to put a rose on my forehead in honor of my Aunt Rose, my cousins’ wonderful Mom.

Do you love Day of the Dead? We all know Mazatlán has one of the BEST DODs in all of Mexico, what with the callejoneada parade, the incredible show inside the Angela Peralta Theater, the numerous gorgeous altars all over town, and events at the cemetery. Do you love joining in the traditional festivities? Would you like to be able to do your own or your friends’ makeup?

DODThis September and October, our beloved Centro Municipal de Arte/CMA/Municipal School of the Arts has been conducting free workshops in preparation for these big events, coordinated by the gorgeous, energetic and enthusiastic Cecilia Sanchez Duarte (nicknamed China). The latest was yesterday’s class in calaca (skeleton) or catrina makeup, conducted by Delfos dancer and makeup artist, Johnny Millán, with interpretation into English by China herself. It rocked!

The class was held from 5-7 pm in the air-conditioned comfort of the Jonathan Hotel, just across from the CMA, and was attended by about 40 people. China arranged the class in hopes that more and more of the city’s residents will dress up and volunteer to participate in the main events, including the parade and the performance in the theater.

The timing of this workshop was perfect for me, as my two beloved sister-cousins were visiting from Minnesota and Indiana. We get together for a girls’ vacation every October, and we always do a craft. What better “craft” than a Day of the Dead makeup class with a professional makeup artist—for free?!

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Cecilia Sanchez Duarte, director of Fine Arts at the CMA, in charge of Day of the Dead in the theater

Supplies for the Basic Makeup

Prior to the class, China had sent those of us who pre-registered a list of supplies to bring:

  • White concealer (corrector blanco),
  • Black eyeliner pencil (lapiz negro),
  • Black and white powders or eyeshadows (sombras),
  • Eyeshadows of different colors, and
  • Shiny things (e.g., sequins—lentejuelas, or crystals/gemstones). We also brought
  • Fake eyelashes (which we didn’t have time to apply) and
  • Eyelash glue, a couple of
  • Hand mirrors, a box of
  • Kleenex, and some
  • Props—a catrina hat and a couple of feather boas. I rarely put on makeup, so what we forgot to bring were
  • Brushes, Q-tips, applicators and blending sponges, also highly recommended.
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Johnny Millán, Delfos dancer, professional makeup artist, and our teacher for the day

Maestro Millán first talked to us all as we sat theater-style, explaining the different types of makeup, brushes and blending pads he likes to use. He told us that while we can’t get professional-quality white pancake theater makeup here in Mazatlán (he brings his from DF), the concealer works well. We’d just need to break off pieces and mix it into a paste (which we could do on the backs of our hands) till it was smooth and free of clumps.

He demonstrated the steps to a basic catrina makeup on a model, doing just half her face in order to save time on his explanation. After his demonstration, those of us attending got to either apply makeup to one another or to ourselves. We were all so excited to get started! He had some supplies to sell us, and was happy to share Q-tips and other applicators.

In the 90 minutes or so that we had available to do one another’s makeup, the most any of us were able to achieve was the basic makeup, with a teeny bit of customization. While we were working on the basic steps explained below, Maestro Millán finished up the makeup on the model. You can see what she looked like in the final photo in this post. Needless to say, the Maestro was fast, made it look so easy, and had really great results. That’s why he’s the professional, right?

Steps to the Basic Makeup

  1. Johnny showed us that the first step to creating a catrina makeup is to apply a thin white base coat. For this we used the concealer that we’d made into a smooth paste. He told us to apply this with our fingers or with a sponge, and that we don’t need to blend the white to cover the face perfectly; later when we apply white powder or eyeshadow over the concealer to fix it, the coverage will become much more perfect. He told us to be sure to avoid applying white to the area around the eyes, as we’d later paint them black or in colors, and to think about the costume we are going to be wearing: if our hair will be up, we should paint our ears; if we’ll have a plunging neckline, we’ll need to paint our chest, etc. Be sure not to put the white on too thickly; you can see in the photo that the base coat is very thin.

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    Step 1: White base coat

  2. Next we took a brush and set the base coat with a dusting of white powder or white eye shadow. This step was incredible. It really made the base coat look well blended, and it made the color pop! Not being a makeup queen myself, the power of the powder over the makeup really astounded me.

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    Step 2: White powder to seal the base coat

  3. Once we had our white face on, we proceeded to the eyes. Johnny told us to use the black eyeliner pencil and, in the direction of the growth of hairs on our eyebrows, to trace the brow line and then around the cavity of the eye, following the bone of the eye socket. Once we had the outline, we were to fill the area in with the black eyeliner pencil. Again, we didn’t need to worry about perfectly blending, as we’d next cover this area with black powder or eyeshadow. If you want to put colors on the eye area, you can apply glitter or shadow over the black, or you do it directly to the skin, depending on your creativity.

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    Step 3: The eye sockets

  4. We now needed to seal the black eyes with shadow or powder. Again, our rough-looking black eyes suddenly became velvety smooth and perfectly blended. It was amazing.
  5. From here Johnny told us to work on the mouth. This was by far the most difficult part of the basic makeup for most of us in the class.  He told us to follow the upper and lower lip lines, and extend the line out to where the teeth actually end in the back of the mouth, squaring off the outside. We then needed to make a center line, right where the lips meet, painting inside the lips a bit so the pink didn’t show. After that we made vertical lines to create teeth. One trick here is to round the roots of the teeth a bit with the eyeliner pencil, so they are not square but more natural looking.

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    Steps 4 and 5: Sealing the eye sockets and outlining the teeth

  6. It was important for the teeth to be bright white, so at this point we took an applicator and applied another dot of white concealer to each of the pearly teeth. This really made the teeth look real.

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    Step 6: Making the pearly whites pop

  7. The final main feature was the nose. We drew triangles over the nostril area, to look like the holes in a skull.

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    Step 7: The nasal cavity

  8. To finish the basic makeup, we needed to use the pencil to draw the jawline, and then seal that with black powder. We also dabbed black powder around the hairline, and used it to hollow under the cheekbone.

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    Step 8: Shadowing and contouring the facial outline and bone structure

  9. From here, Johnny told us our creativity could take free rein. We could put sequins around the eyes (he said we could use eyelash glue or even normal white Resistol water-soluble glue), liquid eyeliner to paint some cracks or decorative detail (sealing those details with powder), adding colored eyeshadow or glitter to the eyelids, or detailing the neck and chest. Click on any photo to enlarge or view a slideshow.

Fortunately most of us attending felt that the makeup was pretty easy to do, and it was really fun! While 45 minutes for each face (our group painted one another) isn’t much, we were pretty psyched with the results.

12115980_943243912409327_3970495844696971161_nDay of the Dead Parade and Theater Event in Mazatlán 2015

While having a professional do your makeup here can be very affordable, now that I know how to do it, I’m so looking forward to opening a bottle of bubbly and sitting down with a few friends in front of the mirror on October 31.

That’s right! The callejoneada is on Halloween this year. Cecilia told us that’s because we normally do the parade on November 1st. This year, that date falls on a Sunday. CULTURAL didn’t feel they could ask all the volunteers to work on Sunday, and they’d have to pay overtime to those who are paid, so instead they’ve switched it to Saturday this once. Next year, she tells me, it’ll be back to the regular November 1st.

The theme of the Dia de los Muertos events this year is Mictlán, a tribute to pre-hispanic culture. The events in the Angela Peralta Theater will start at 7 pm, with aerial dance, concept art, poetry readings, singing, ballet—it’s an event not to be missed. Free tickets will be handed out in the Plaza Machado starting at 10 am Friday, though the official announcements say Saturday. Be sure to be there early or on time, as the free tickets run out quickly and are limited to two per person. The parade itself starts about 8:00 pm from the Plaza Machado; route map is above.

Please Share!

Many of you have made yourselves up for years, so you are experienced. Not sure if any of the above will give you a few pro tips or not. I would love to hear your favorite makeup techniques and tips; please also share a photo of yourself in your favorite catrina outfit. For our group, it was all new. Now we know to buy some good brushes, blending sponges, and sequins. So, watch out Mazatlán! Here come the catrinas!

Thank you, China!!!! Thank you, Johnny! We so appreciate your generosity and talent!

Behind the Chamber: Hot Jazz

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Member of the group, “Hot Jazz”

Hey baby! Is jazz your bag? Ready to get down to some 18 karat grooves? Then jitterbug your way over to the Angela Peralta barrelhouse this Sunday March 1st at noon, where you’ll be able to groove to the sounds of ragtime, Dixieland, New Orleans, swing, and blues.

Closing out this year’s Camerata Gordon Campbell series will be the group “Hot Jazz,” which includes seven very talented musicians from Mexico, the USA, Poland and Spain:

  • Maciej Bosak on licorice stick (clarinet)
  • Jose Ramon Sanchez, a sraw boss on the popsicle stick (saxophone)
  • Robby McCabe, who’s wild on the trumpet
  • Hector Company Albert on the sackbut (trombone)
  • Polo Carillo, a finger zinger on the jazz box (guitar)
  • Oscar Corral, who Bose bounces the bass, and
  • Edmundo Langner Romero, who will be pounding the tubs (drums).

Below is the Maestro and his wife’s Behind-the-Chamber preview of the upcoming concert:

Tickets are 200 pesos for this concert and can be purchased at the TAP box office or online.

You may be wondering where this Boogie Woman’s sudden turn of jazz phrasing comes from? I’d like to credit All About Jazz’s “Jazz Slang.