The mayor, El Químico Benítez, has been planning a Plaza de la Banda for Mazatlán, inspired in Guadalajara’s Plaza del Mariachi and Mexico City’s Plaza Garibaldi. Those plans were put on hold during the COVID pandemic, but activity seems to have resumed in recent weeks.

While nothing is yet firm, locations discussed for the plaza include the empty lot in front of the aquarium, where buses and tourists now park, as well as possibly building an extension of the malecón out into the ocean. 

When I recently saw an incredibly Instagram-friendly projection of a five-meter-tall public artwork intended for the new plaza, El Pedro Infante Besador (Kissing Pedro Infante), I was motivated to interview the artist. He is one of the best muralists in Mexico today, widely exhibited internationally, and a native-born Sinaloense from Mocorito (1968): Ernesto Rios Rocha. Click on any photo to enlarge it or view a slideshow.

Maestro Rios told me that in 2019 the mayor called to request him to draw up the initial plans for the plaza. He worked on them for four months, and the plans he presented included kinetic sculptures with illumination and music. One of them was the Pedro Infante, and another a sculpture of Don Cruz Lizárraga with a 30 meter tuba!

Ernesto Rios is the artist who spent three years (2008-2011) living in Mazatlán, and with a crew of 28 built the Guinness-record-holding large mural on the outside wall of the convention center. He and his helpers also painted the striking figurative-surrealist murals inside. He has works displayed in the national palace in Mexico City and was commissioned for AMLO’s presidential portrait.

Maestro Ernesto is quite a Renaissance man: he paints, sculpts and composes music. He studied with the Fridos, those well-respected students of Diego Rivera and Frida Kahlo: Arturo García Bustos, Rina Lazo and Enrique Estrada. He has campaigned for the past five years or so for the opening of a School of Muralism and Monumental Art in Mexico City. Such an endeavor sounds smart to me; Mexico is so well known for its tradition and artists in that vein.

During my interview Rios Rocha made two main points that he’d love for me to share with our readers:

1. Murals need maintenance every five to seven years. Properly cleaning them will double their lifespan. He urges everyone in Mazatlán and Sinaloa to campaign to have Mazatlán’s convention center mural properly cleaned and restored.
2. There is a beautiful Byzantine-style mural by the artist Rolando Arjona Amabilis (the same artist who made Mazatlán’s escudo in Olas Altas) in Culiacan’s Parque Constitución, on Obregón Street, that is badly in need of restoration. This is a valuable piece of art and heritage that he strongly urges us to preserve.